Word: cubism
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...radicals of the new generation were discussing Africa's primitive sculpture and the great Cézanne memorial exhibition. It was the year Matisse exhibited his epochal Joie de Vivre and the year Picasso showed Braque his newly completed Demoiselles d'Avignon, the painting that launched Cubism...
Because the paintings of these founding fathers were mostly abstract, art historians have generally argued that Abstract Expressionism was a descendant of analytical Cubism, or the abstractionism of Russia's Wassily Kandinsky. Curator Rubin argues that the style's most immediate ancestor is Surrealism. His case is convincing...
...museums and devouring books when not studying at the Art Students League. Arshile Gorky, the Armenian refugee, was initially a devotee of Ingres, Léger, Matisse, Cézanne and Kandinsky. Robert Motherwell drew much of his inspiration from Matisse. De Kooning, the Dutch immigrant, was closer to Cubism and de Stijl; Pollock, the shy Westerner, studied under Thomas Hart Benton, and was influenced by Mexico's David Alfaro Siqueiros and José Clemente Orozco. They all talked-and talked. Critic Thomas Hess observes that "a long, chaotic, brilliant, funny conversation about art began in the mid-1930s...
...this world any more?" the shaggy-bearded artist once asked. For him, the answer was always yes. Son of a Russian-born immigrant, Shahn was raised in a Brooklyn slum, and his proletarian vision was forged in the class-consciousness of the Depression. He employed elements of both Cubism and Surrealism in his own spare variant of social realism. In 1932 he won fame portraying the trial and execution of Sacco and Vanzetti. Thereafter, his angry melancholy illuminated a memorable sequence of arriving immigrants, lonely lovers, World War II factory workers, Japanese fallout victims. His TIME magazine covers included Freud...
...only ones on display. Two abstract works by the Russian Serge Poliakoff, big blocks of carefully modelled color, can be seen on entering the exhibit, near a very subtle work in cement--"In the Shadow of a Field"--by ex-conservationist Raoul Ubac, while the plastic, organic cubism of an early Picabia is across the hall...