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...essential point, however, is that just as Moses died before reaching Canaan, so Cezanne never lived to see Modernism take hold--and he might not have liked what he saw, had he lived. It used to be one of the standard tropes of art history that Cezanne "begat" Cubism, and it is a fact that no serious painter since 1890 has been able to work without reckoning with Cezanne. But the idea that Cubism completed what Cezanne began is an illusion. It may be that Cezanne was reaching for a kind of expression in painting that did not exist...

Author: /time Magazine | Title: ART: MODERNISM'S PATRIARCH | 6/10/1996 | See Source »

Fogg Art Museum.. Through July 1995. "Shades of Significance: Tonal Values in Abstract Art." From its perceived origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: NO WRITER ATTRIBUTED | Title: at harvard | 4/27/1995 | See Source »

Fogg Art Museum. Through July. "Shades of Significance: Tonal Values in Abstract Art." From its perceived origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: NO WRITER ATTRIBUTED | Title: at harvard | 4/20/1995 | See Source »

...clear that Fairweather was deeply affected by Cubism as well as Chinese art. "I suppose it all began with Cazanne ... I've been rather like a weathercock," he remarked in one of his few and laconic interviews. Most of his mature paintings share a cellular structure-cubicles of form held together by a gestural calligraphy, sometimes wobbly but often very precise. The colors are muted: grays, sandy browns, black, occasionally lit by a flash of red, as in Glasshouse Mountains, 1958; forms are pressed into a flat dense surface (stamped there, you feel, as by a Chinese seal...

Author: /time Magazine | Title: PECULIAR BUT GRAND | 4/17/1995 | See Source »

Fogg Art Museum. Through July. "Shades of Significance: Tonal Values in Abstract Art." From its perceived origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: NO WRITER ATTRIBUTED | Title: at harvard | 4/6/1995 | See Source »

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