Word: criticizing
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...Critic Royal Cortissoz of the New York Herald-Tribune: "Some imaginative ambition presumably is involved . . . but it has not been at all tangibly realized...
...Critic Edward Alden Jewell of the New York Times: ". . . There are some big bells swinging?bells about the size that Mrs, Leslie Carter used to swing from, so long, so long ago, in Mr. Belasco's Heart of Maryland. . . . One adoring saint on the right is holding a violin . . . another is holding a baby that looks rather like another violin. . . . Although he calls them music and they were designed for the walls of a music room, there is nowhere visible a melodic line. . . . Let us say that it is a fairly good uprooted modern musical chord slurred and fumbled...
...Home-made Suit." Of Artist Sir William Orpen's portrait of Sir Ray Lankester: "The design of the sitter's suit shows dots and blotches as large as buttons. On what loom, one wonders, was such a fabric woven?" About all that the tailor-editor-art critic approved was Artist Oswald Birley's portrait of George V in black jacket, double-breasted fawn waistcoat, grey striped trousers...
...Columbia University) on theatrical business problems. Now, in proof of his economic prowess, he has furnished his new offices with one month's interest from the capital collected for Bela Blau, Inc. Members of his board of directors in clude Langdon Post, New York State Assemblyman, onetime cinema critic (New York Evening World), sponsor of a bill to protect actors against the humiliation of arrest for appearance in plays adjudged immoral; Josephine Forrestal, experienced play reader; Manhattan Bankers Alonzo Potter, William V. Griffin, Duncan Spencer; Henry Codman Potter, onetime assistant stage manager with the Theatre Guild. Listed as treasurer...
Curiouser and curiouser are Leopold Stokowski's programs. Visiting Manhattan in the wake of the great, departing Toscanini, he led his Philadelphians-instrumentally the world's finest-through what many a critic pronounced "the poorest orchestral program of the year." Three U. S. works were introduced: Prelude to a Drama, by Sandor Harmati, conductor of the Omaha Orchestra; Study in Sonority (for 40 violins-title by Stokowski), by Wallingford Riegger, New York pedagog; Indian Dances, by Frederick Jacobi, of California...