Word: criticizing
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...usually above reproach. But the Lewisohn dancers (who still retain the name of "the Neighborhood Playhouse") offended many a purist with their miming of Bach's Toccata and Fugue in D minor. Harpist Carlos Salzedo's arrangements of Troubadour airs, Ernest Bloch's Quatuor a Cordes. Critic Olin Downes of the New York Times wrote: "It is not possible to refer dispassionately to the complete misrepresentation of the noble music of Bach. To this music of Gothic design and Apocalyptic splendor the audience was privileged to behold the strange struttings, posings, leapings...
PERHAPS the most valuable instrument in the hands of the historian is "time". It is easy to censure or to praise from the safe distance of four or five decades, whereas the contemporary critic is in constant danger of blemishing his own reputation. Mr. Muir bore this in mind when he wrote this little volume on the world after the war of 1914, and he takes the precaution to temper his political prescience with such phrases as "Time alone can reveal the results," or "Whatever the outcome, it will rank among the great events of human history...
Died. Pietro Cardinal Mam, 73, cosmographer, critic of Fascism, friend to the Royal House of Italy; at Pisa. Given his red hat along with the late great Cardinal Mercier, twice a candidate for the Papacy, he performed the marriage ceremony between Crown Prince Umberto of Italy and Princess Marie José of Belgium last January...
...Lutheran Pastor Emil Swenson of Minneapolis who accepted a court sentence rather than reveal secrets confided to him by a parish- ioner (TIME, March 16). The Press, which also hailed Pastor Swenson, last week hailed even more loudly a "martyr" of its own: youthful, dapper Edmond M. Barr, dramatic critic and ace newshawk of the Dallas Dispatch. Reporter Barr went to jail rather than break journalism's proud rule: Never expose your pipelines. Reporter Barr wrote for his paper of how two Communist organizers, C. J. Coder and Lewis Hurst, were taken from the city hall steps (immediately after...
Praiseworthy were Gifford Beal's Men with Lobster Pots; Leon Krolls portrait of a baby; Lizabeth Paxton's Deshabille; Ernest Lawson's Colorado Ranch. Of the show as a whole, New York Times Critic Edward Alden Jewell commented: "It often seems as if these artists had been snowed under in the blizzard of 1888-whose 43rd anniversary has just been marked-and emerging at last from the drifts were to be seen taking up life again just where they left it. Most of the sculpture is too discouraging for words...