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...Colonel's brief fling as a patriotic supporter of the Administration's war effort was definitely over. Once again he was out in front as the President's fiercest critic. One month after the Tribune's Pearl Harbor pledge to let bygones be bygones for unity's sake, it announced abruptly that, if its isolationist ideas had been followed, "the nation would have been spared much of the bitter news of recent days." Colonel Knox's rival News fished up a few Tribune pearls from pre-Pearl Harbor days...

Author: /time Magazine | Title: The Press: Colonel McCormick Rides Again | 2/23/1942 | See Source »

...night and comment intelligently on both. This calls for immediate reactions to an art form existing only for a short period of time. A high aesthetic standard, a delight in the whole range of the theatre, snap judgment, and a scholarly background--these are the requisites for the drama critic. No wonder that the critic retreats into individualistic displays of bon mots and wit in his reviews...

Author: By Jervis B. Mcmechan, | Title: FROM THE PIT | 2/17/1942 | See Source »

Clausewitz for Autumn. His favorite author, ironically, is the great German military critic, Karl von Clausewitz. One passage which he quotes with especially affectionate comment might well have been his text last week, as he reviewed the lessons of Autumn 1941 before doing his home work for the final exams in Summer...

Author: /time Magazine | Title: World: What Will Spring Bring? | 2/16/1942 | See Source »

James Joyce has been at the same time one of the most influential and one of the least understood figures in our literary scene. Certainly the readers of "Ulysses" far outnumbered those who have any claim to understanding it, just as the parlor critics of "Finnegan's Wake" outnumber its readers. A critical work on this major enigma of our time is therefore particularly welcome, and especially when it comes from the pen of Harvard's most brilliant and penetrating critic...

Author: By A. Y., | Title: THE BOOKSHELF | 2/14/1942 | See Source »

...might be argued that if we get rid of the superior minds in criticism, then there is no chance for an improvement of the admittedly poor standards of the motion picture industry. But that isn't so. A critic who is so far above and apart from his audience that he doesn't think in the same terms isn't going to accomplish anything at all in improving the quality of what they're getting...

Author: By Joel M. Kane, | Title: COLLECTIONS & CRITIQUES | 2/12/1942 | See Source »

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