Word: cowboying
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...MIDNIGHT COWBOY. Dustin Hoffman and Newcomer Jon Voight are the real points of interest in John Schlesinger's somewhat slick rendering of James Leo Herlihy's novel of love and loneliness in New York City...
...Wayne's politics is irrelevant to us young Americans today. As cowboy, he is the charismatic hero of a generation painfully aware of its placelessness in its own country: typically a stranger, he arrives in town with the unlocalized perspective which we youth have, plus the power-albeit on his hip-which we would have...
...cowboy Wayne would defer self-knowledge for moral achievement and devote his life to justice for the very local folk from whom he is hopelessly estranged. He is one who has managed to translate his alienation into a noble life style. He is our existential hero who dares to burst out of his lifeless anonymity and assert his ideals in that longed-for reality of time and place. The Wayne cowboy is the us who happen...
...MIDNIGHT COWBOY. Dustin Hoffman and Newcomer Jon Voight are the real points of interest in John Schlesinger's somewhat slick rendering of James Leo Herlihy's novel of love and loneliness in New York...
...those westerns whose aging heroes have outlived their era. The two protagonists are as painfully inarticulate as any western idol; their sluggishness of mind is of course intended to be read as sensitivity and moral integrity. Billy's even decked out in a fringed suede jacket, boots, and cowboy hat. The beautiful Southwest landscapes of photographer Laszlo Kovacs turn hostile each night around the campfire, where a lot of authentic marijuana dialogue goes on. Like Western heroes, they are isolated in travel from their natural environment; the trail lies on the landscape, but is never one with it; they...