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Word: cowboying (lookup in dictionary) (lookup stats)
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...agog as U.S. audiences over who ambushed mean J.R. Ewing, played by Actor Larry Hagman, in the season finale of the high-rating Dallas series. A British bookmaker accepted wagers on the identity of J.R.'s assailant; betting $234,000, punters made Wife Sue Ellen's cowboy lover, Dusty, a 6 to 4 favorite even though he is presumed dead in a plane crash. With six other likely suspects, Dallas' producers are filming different versions of the attack. The world must wait until about next season's third episode to learn whodunit...

Author: /time Magazine | Title: People, Jun. 9, 1980 | 6/9/1980 | See Source »

...URBAN COWBOY Directed by James Bridges Screenplay by James Bridges and Aaron Latham

Author: /time Magazine | Title: Cinema: Sunbelt Saturday Night | 6/9/1980 | See Source »

...Urban Cowboy is one of those movies that are all packaging and no execution. To put the matter more harshly, the elements that must have made it commercially attractive to its producers, and surely built up the public's anticipation of it, have been distorted and attenuated to the point of extinction as the picture developed...

Author: /time Magazine | Title: Cinema: Sunbelt Saturday Night | 6/9/1980 | See Source »

What everyone obviously hoped for was a film that would do for country-and-western music what Saturday Night Fever did for the disco craze-make a lively, gritty comment on it and earn big bucks too. Like Fever, Urban Cowboy is based on a magazine article (by Co-Scenarist Aaron Latham). The same star, John Travolta, has been recruited to play the lead...

Author: /time Magazine | Title: Cinema: Sunbelt Saturday Night | 6/9/1980 | See Source »

There all resemblance ends. The music, which is the heart of both phenomena, serves Cowboy mainly as a banal background, not as the dramatic center -the justification really-for the characters' lives. Director James Bridges, whose last film was the smooth, tight thriller The China Syndrome, does not bring to his realization of the C. and W. scene anything like the dynamic energy, the sheer stylistic force with which John Badham drove Fever. Finally, the electric charge that Travolta jolted into that film is missing here. If he keeps on this way, he will turn...

Author: /time Magazine | Title: Cinema: Sunbelt Saturday Night | 6/9/1980 | See Source »

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