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Word: cowboy (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...MIDNIGHT COWBOY. Jon Voight is a strutting phallus, good for nothin' but lovin'; Dustin Hoffman is a septic, crippled thief. Together, they create one of the most moving and poignant performances in the history of American film. Though Director John Schlesinger has decorated the story with stylistic tics, the film stands as a moving study of the lonely and the loveless...

Author: /time Magazine | Title: Television: Oct. 31, 1969 | 10/31/1969 | See Source »

...like the media, the tract appeals to a valued life-style-in this case, a morally superior one. The reporter is even strata-spherically above accepting the University's blood-stained brownies. And consider the drama. The identification of the enemy, for instance: clear-cut, as in a cowboy movie. Or the puffing about being in University Hall last April: a real Marlboro...

Author: NO WRITER ATTRIBUTED | Title: The Mail SLICK SELL ON CFIA | 10/27/1969 | See Source »

...taunts of Saigon's "cowboys," the Honda-riding young toughs who infest the capital, have become so nasty that few respectable women like to be seen walking with foreigners, particularly with Americans. "O.K., ten dollars" or "O.K., Salem" are favorite "cowboy" slurs, implying that the woman has sold herself for money or cigarettes. The Vietnamese press abounds with tearful stories of happily married Vietnamese women who left their husbands for the lure of the dollar and the company of Americans. By word of mouth, other, more bizarre tales make the rounds. Some uneducated Vietnamese men actually believe that...

Author: /time Magazine | Title: World: SOUTH VIET NAM: RISING RESENTMENT OF THE U.S. | 10/24/1969 | See Source »

...MIDNIGHT COWBOY. A slick package about being lonely and loveless in New York is directed by John Schlesinger in fashion-magazine style, but the acting of Dustin Hoffman and Jon Voight gives the film a sense of poignancy and reality...

Author: /time Magazine | Title: Television: Oct. 17, 1969 | 10/17/1969 | See Source »

...hard to say where the spoof ends and the soap opera starts. After Butch and Sundance flee to Bolivia, a sterile melodrama sets in. The script now embraces such weighty matters as the alienation of the cowboy from modern society, the alienation of the outlaw from repressive society, and various other alienations. In other words, alienation-a good theme, but a little too ponderously applied to this wisp of a comedy...

Author: By Thomas Geoghegan, | Title: The Moviegoer Butch Cassidy and the Sundance Kid at the Savoy | 10/16/1969 | See Source »

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