Word: coverly
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Dates: during 2000-2009
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...take in the early part of the week, monitor the returns on Saturday and then, when the numbers are announced on Sunday morning, say how surprised or disappointed they are. Forecasting the weekend grosses has become a rabid Internet pastime, and the spur to free publicity when news services cover the "story" in Sunday columns like this one. Stats freaks get to crystal-ball movies' grosses on Thursday, then analyze their predictions three days later. Some people bet money on the outcomes - the movie-industry equivalent of an office pool on college football...
...fact, the songs on “Swords” are so poor that the finest track is the one not penned by Morrissey. “Drive-In Saturday,” a live David Bowie cover, showcases Morrissey’s vocal talents even though it barely elaborates on the original. But with his bold, elongated proclamations, Morrissey—who once was the U.K. branch president of the New York Dolls fan club—at least does justice to his passion for ’70s glam-rock. Elsewhere, album closer “Because...
...make The Smiths one of the greatest British bands of the 1980s. “Swords,” however, contains only the disappointing aspects, too disappointing to even make it to the studio albums. It seems as though Morrissey has employed every single instrument and producing effect to cover up the nauseating mediocrity of the songs. Instead, they do nothing but highlight...
...movie theaters and banning all public gatherings until the end of November. Pharmacies have run out of protective masks; those who missed the rush are improvising with scarves or homemade facsimiles. And rumors are running rampant, much as they did during Soviet times when the authorities tried to cover up disasters like the Chernobyl nuclear-plant meltdown. "We are worried that the swine flu has mutated and is killing scores of people," says Nina Sokolovska as she stands in line at a pharmacy...
...help. Agassi leaned on J.R. Moehringer, who won a Pulitzer for feature writing in 2000, to craft mounds of interview transcripts into a coherent narrative, told in the present tense. (Moehringer, feeling that the book belonged to Agassi alone, refused to put his name on the cover.) Their doubles team clicked. One passage describes how a teenage Andre, landing in Las Vegas after a tournament in Seoul, makes the bold decision to embrace his taskmaster dad. Mike Agassi tortured his son with endless drills; he wasn't the cuddly type. When the moment arrives, Mike "stiffens," Agassi writes. "It feels...