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...Cosmic Stuff...

Author: /time Magazine | Title: Letters, Jun. 13, 1977 | 6/13/1977 | See Source »

...voice. But the humorist must reject this escape, sacrificing the "funny" to attain the "Religious." In Allen's Annie Hall we see the humorist beginning this metamorphosis. Allen's male friend in the movie represents the Ethical Man of Law, and is in fact, a lawyer. He plays the cosmic straight man to Allen's cosmic nihilism. But Allen is no longer a pure nihilist; he is using this nihilism to affirm himself. Kierkegaard chose the story of Abraham to illustrate this metamorphosis: Abraham must sacrifice his son, Isaac (whose name means "laughter"), to fulfill an unknown Being's absurd...

Author: By Brick Maverick, | Title: In Hilaritate Tristis, In Tristia Hilaris | 5/25/1977 | See Source »

Like squids, scientists protect themselves with clouds of impenetrable ink. Not Carl Sagan. His jargon-free book The Cosmic Connection (1973) involved thousands of readers in the search for life beyond earth. Last year, during the Mars probe, he became a TV celebrity with plausible descriptions of the creatures that might be populating outer space. The Dragons of Eden should involve thousands more in the exploration of inner space - the human brain...

Author: /time Magazine | Title: Books: Brain Matter | 5/23/1977 | See Source »

Harry Gallanty '79 is writing a book entitled The Cosmic Explorer. The protagonist is an extraterrestrial anthropologist who decides to study human culture of the 70s. Gallanty, a mathematics concentrator who left Harvard in the fall of 1975 to address the World Food Conference at the U.N., now travels around schools in the east and south, collecting material for his book. Gallanty is insightful and clear-thinking--not one of your fried-on-dope types. To the best of my knowledge, Gallanty plays no instruments, though he might hum and probably whistles. He is in Cambridge for three weeks; meet...

Author: NO WRITER ATTRIBUTED | Title: FOLK | 5/12/1977 | See Source »

...occurrences of a single year) with lists of events that come close enough to scorch the Roman populace: treaties made and broken, victories, slaughters, final solutions, barbarities parading as statecraft. This constant juxtaposition of power and the powerless begins as an easy irony but slowly swells toward a cosmic pathos. While Mussolini strutted like a deranged buffoon, "Rome took on the appearance of certain Indian metropolises where only the vultures get enough to eat and there is no census of the living and the dead...

Author: /time Magazine | Title: Books: The Powers and the Powerless | 5/2/1977 | See Source »

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