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...mixing gin with the milk to pacify the baby), the Old Farmer has better than 100,000 subscribers (mostly New Englanders), from Bangor, Me. to Hong Kong. These ardent readers feared that the Old Farmer's 1940 issue would be its last. After the death of its fourth copyright owner, Bostonian Carroll J. Swan, in 1935, Little, Brown & Co. agreed to publish the almanac for five years. Its contract ended with the 148th edition. But this week the 149th was scheduled to come out bright & shiny as ever, kitchen-nail hole and all. Its new publisher: shrewd, shaggy Robb...

Author: /time Magazine | Title: FARMERS: Hardy Perennial | 11/25/1940 | See Source »

...Copyright 1940, Universal Music Corporation...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 18, 1940 | 11/18/1940 | See Source »

Prepared by ALVIN C. EURICH, Stanford University and ELMO C. WILSON, University of Minnesota Co-Authors of the Cooperative Contemporary Affairs Test for the American Council on Education (Copyright, 1940, by Time...

Author: /time Magazine | Title: NATIONAL AFFAIRS,FOREIGN NEWS,THE THEATRE OF WAR,BUSINESS & FINANCE,PERSONALITIES IN THE NEWS,SCIENCE AND MEDICINE,L: U. S. FOREIGN RELATIONS | 10/21/1940 | See Source »

...bought it for $500, replated and reprinted his Lincoln's Day rotogravure section to feature it. In 1936 the Tribune paid Mr. Doctoroff $500 to spend a week in Topeka, Kans. painting Candidate Alf Landon. The Tribune held first rights to the picture, but the artist retained the copyright, which enabled him to charge the Republicans $1,500 for using it as their official campaign portrait. In 1938 the Tribune paid Mr. Doctoroff $500 to paint General John Joseph Pershing (who posed in his general's coat, and pajama pants which didn't show in the portrait...

Author: /time Magazine | Title: Art: Court Painter | 9/9/1940 | See Source »

...delegates of the National Association of Broadcasters gathered in San Francisco. Less timorous than usual, the N.A.B.-ers spoke freely and frankly, singled out ASCAP (American Society of Composers, Authors and Publishers) as the industry's No. 1 problem. To ASCAP, which controls the performing rights to most copyright music, U. S. broadcasters paid $4,300,000 in royalties last year. Denouncing ASCAP as a monopoly, the conventioneers whooped it up for Broadcast Music Inc., the rival outfit N.A.B. recently organized. Loudly cheered was Delegate Sam Rosenbaum of Philadelphia's WFIL when he cracked...

Author: /time Magazine | Title: Radio: ASCAPO? | 8/19/1940 | See Source »

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