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...remain dry, and the Kentucky-bred laborers in Cincinnati, Louisville and even Chicago who have never lost their taste for homemade corn. He no longer tries to run his whisky. "Back in '47," he recalled, "I was driving this Army truck and I smacked broadside into a state cop with three gallons under my seat. He took my license, but he never found the stuff. Since that day, I never went back to get my license." All he knows is that every so often a man in an old Chrysler pulls up, wraps the jars in brown paper...

Author: /time Magazine | Title: AMERICAN SCENE: Making Moonshine in Kentucky | 5/1/1972 | See Source »

...Mississippi woman's soliloquized lamentation. She tells and mimes the bone-wearying troubles of her existence, a Beckettesque journey from nothingness to oblivion. Gloria Foster makes a triumph of this taxing role through her unremittingly somber presence and power. The next two playlets, Players inn and Cop and Blow, are set in a bar, the gaudy aquarium of tropically colorful sharks who prey mercilessly on the vulnerable fish of the ghetto...

Author: /time Magazine | Title: The Theater: Black on Black | 5/1/1972 | See Source »

...policemen, who frequently end up on the receiving end of a warring couple's wrath. In an effort to be more effective at peacemaking, an increasing number of police departments are now trying a new strategy. They are sending policewomen to do what was once strictly a male cop's job. The reason: women seem to calm these disputes far better than men. "Some of these families will call you back two or three times a night," observes a battle-tested Indianapolis patrolman, "but I've noticed that when the women go, that's the last...

Author: /time Magazine | Title: Behavior: The Women in Blue | 5/1/1972 | See Source »

...Actress for her portrayal of a call girl in Klute, showing that Hollywood is no longer totally hysterical about off-screen ventures in radical politics. Most popular-short of the cheering, weeping ovation for Chaplin -was Gene Hackman's Best Actor award for his performance as a narcotics cop in The French Connection, proving what all actors yearn to believe: a nice, hard-working guy can still get ahead in the movies on his merits. TIME Correspondent Roland Flamini interviewed Hackman in Los Angeles and sent this report...

Author: /time Magazine | Title: Show Business: Hackman Connection | 4/24/1972 | See Source »

...Cop-Out, a one-act satire by John Guare, 9:30, 11. April 21 and 22. The Harvard Cabaret. Currier House, $.50 food minimum...

Author: NO WRITER ATTRIBUTED | Title: the stage | 4/20/1972 | See Source »

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