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...seems, has been Princess Perky, and who is fine, not great, in the role. Anyway, the sex is mostly in the talk, which is in its way as violent as the grisly murder tableaux. Ruffalo's whispery voice, his Brando-wannabe mannerisms and the ambiguities of a shady cop in a whodunit - he's one of those movie characters who are guilty until proved interesting - make Molloy's every flirtation sound like a threat, a dirty secret, a dream as scary as it is seductive. In the Cut prizes atmosphere over coherence; it's as much a thing of pieces...

Author: /time Magazine | Title: Rough Cut | 10/26/2003 | See Source »

...latest agreement signals the fact that Washington's closest ally on Iraq has no interest in pursuing military action against Iran. Still, it may well be that the "regime-change" saber-rattling in Washington and the recent history of Iraq will certainly have helped the Europeans play "good cop" to Washington's out-of-control guy, and also may have helped sway the internal Iranian debate on the nuclear question. Although hard-liners have urged defiance of IAEA demands, President Mohammed Khatami's reformists have warned that failure to comply with the IAEA demands, even if they are deemed unfair...

Author: /time Magazine | Title: In Search of the Axis of Evil | 10/21/2003 | See Source »

...masterpiece. Gonzalez Inarritu's English-language debut lacks the zigzagging drive of his Mexican hit Amores Perros and taxes credulity with its pileup of fatal coincidences. Mystic River has a case of wandering accents (sometimes South Boston, sometimes West Hollywood) and plods toward its conclusion more like a tired cop than a cunning detective. Its sharpest characters are the soft, doomed Dave, in a beautifully modulated turn by Robbins, and Jimmy's wife Annabeth, played by Laura Linney as Lady Bountiful on the outside, Lady Macbeth within...

Author: /time Magazine | Title: The Penn Method | 10/20/2003 | See Source »

...Texas cop with sunbaked skin grimly appraises the wedding-chapel murder scene. Nine, 10 bodies--an entire bridal party, including the white-gowned bride--are splayed on the floor amid hundreds of spent shells. The cop detects the fatal precision of professionals in this atrocious tableau: lives dispatched cleanly, corpses draped just so. "If you was a moron," he drawls, "you could almost admire...

Author: /time Magazine | Title: Movies: And Now...Pulp Friction | 10/20/2003 | See Source »

...every moment onscreen, shows the intelligence and vitality in journalistic curiosity, fills out the facts of the case with humor and humanity. Her Veronica is a perky soul who is nonetheless weighed down by a reporter's "burden to know." She carries the same awful responsibility as a good cop or soldier: to make things better, whatever the cost. Veronica Guerin paid with her life. This film would make her proud, for it is ultimately not depressing but--we say without a shred of journalistic irony--inspiring. --By Richard Corliss

Author: /time Magazine | Title: Movies: Dying To Tell The Story | 10/20/2003 | See Source »

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