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Johnny Cash wrote two very entertaining books about his life--Man in Black and Cash: The Autobiography--that don't suffer much for not being entirely candid. But when director James Mangold (Girl, Interrupted; Cop Land) and his wife and producing partner Cathy Konrad (Scream, Identity) started to mine Cash's tales for a screenplay about his early struggles with drug addiction and his relationship with wife June Carter Cash, they hit dead ends. "There are enormous holes in those books," says Mangold. "We wanted to dramatize a period of several years...
Does the world want to hear more from MARK FUHRMAN? Well, it's going to. His book Murder in Brentwood is due out in February. And Vanity Fair has scored the first interview with the disgraced former cop. To say that Fuhrman, living on an isolated farm in Idaho and working as an electrician, is bitter about his treatment during the O.J. Simpson case is putting it mildly. Fuhrman says he found other pieces of evidence that were never pursued, including a knife box in Simpson's bathroom, dark clothes in his washing machine and a blood-stained light switch...
...Jacobi, Jack Lemmon, John Mills, Robin Williams, Kate Winslet and the Duke of Marlborough, to name but a dozen--in the second longest film released by a major studio (after Cleopatra). If Kenneth Branagh doesn't win an Oscar for his four-hour, uncut Hamlet, he should at least cop a Chutzpah Award...
Black was one of Hollywood’s darlings when his script for “Lethal Weapon” reestablished the buddy-cop genre. With “The Long Kiss Goodnight,” he became Hollywood’s highest paid screenwriter and went home to enjoy the smell of millions of dollar bills. And that, apparently, made him bitter. Who knew that getting paid lots of money could get you so angry...
...Brighton. "It was made in my folks' kitchen and the basement with my grandma coming in interrupting my takes with cups of tea and stuff." The result of his labors weaves together the comfortable sounds of 1970s and '80s kids' TV shows - ambling Charlie Brown-style piano and cop-show car-chase music - with more conventional pop influences. Guitars owe a debt to U.S. alternative legends Sonic Youth, the strings to Bollywood, and rhythms recall Motown and break beats. "I've always quite liked that [retro kids' TV] feel, but I'd always want to make it more dirty...