Word: contrasted
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Dates: during 1960-1969
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Instead of adopting fluster or bluster, Dartmouth's President John Sloan Dickey coolly warned that he would seek a court injunction and summon police if any buildings were seized by students. Both sides thus knew precisely where events were taking them, in sharp contrast to recent campus collisions across the country...
...Lost Horizon, Widmark and Horne seem at once endlessly old and miraculously preserved, as if they were waiting for a revelation. Death of a Gunfighter is not it. In a town settling into the 20th century, stallions mix with horseless carriages and Mazda bulbs compete with gaslight. The contrast of periods is minor compared with the clutch of anachronisms offered by the script. Among them: police brutality, strained race relations, the lowly role of the Jew in society, adolescent sex, and finally the message, delivered by the county sheriff: "Frank Patch is your conscience, and you're afraid...
Lighting and composition now join the themes to establish the mountain-peak as a place of purity and to contrast it with the lower world. A sampler in the officer's bedroom reads, "In the Alps there is no sin." Though he takes it to mean "all is permitted," its meaning is that sin will be obliterated. As the officer and husband begin the ascent, a guide tells the wife they will be safe, if they only will eave their worldly attachments behind...
...marks before their own national elections in September. Revaluation would lower the income of German farmers under the complicated Common Market price-support system, and Bonn's party leaders are worried about losing the farm vote. Yet a change in parity is almost assured by the vivid contrast between the mighty West German economy and the inflationprone French economy-menaced by excessive wage demands while handicapped by obsolete plants and an unfortunately anemic capital market. German Economics Minister Karl Schiller had hoped that his country's real growth would slow to 4.5% this year, but has lately conceded...
...face at filmmakers "who have to have endings" or whom Newley thinks are not romantic enough. Naturally, its best success in making this point comes not from characterizations of producers, directors, and writers who make up the sub-plot of Merkin putting together his film, but from the contrast of these with the few good lyrical sequences (Such as Mercy baring her nipples and shivering...