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With 163 drawings, it is the biggest Leonardo show ever, and has already drawn 36,000 visitors. Chronologically, the drawings run from studies of lilies done in 1478, when Leonardo was an apprentice in Verocchio's Florentine workshop, to the coarse drawings probably done after 1516, when he had...

Author: /time Magazine | Title: Graphics: A Man of Infinite Possibilities | 6/20/1969 | See Source »

Much of this was conscious baiting, but even more of it was an expression of frustration at endless stories and reports followed by little or no action. As LIFE's Jack Rosenthal noted, "The frustration is not so much with the press as with the public, which doesn'...

Author: /time Magazine | Title: Reporters: Ghetto News | 6/6/1969 | See Source »

This tension comes partly from the changing economic situation of Wales, the decline of labor in coal-mining. Partly, too, change and newness come from the story's being told through the eyes of a small boy, to whom everything is new and personal. But the film's simultaneous fragility...

Author: NO WRITER ATTRIBUTED | Title: How Green Was My Valley | 5/28/1969 | See Source »

The language is that of a Scott Fitzgerald heroine, and rightly so. Ali (a childhood abbreviation of Alice) is a reasonable facsimile of Judy Jones in Winter Dreams, whose mouth gave a "continual impression of flux, of intense life, of passionate vitality-balanced only partially by the sad luxury of...

Author: /time Magazine | Title: Cinema: The Girl Who Has Everything--Just About | 5/9/1969 | See Source »

The workers behead the huge "Fascist" puppet and plan a democratic Italy. But the new tyranny becomes the assembly line, about which Fo raises a characteristically Italian plaint: "Women who work on the assembly line are forced to make 40,000 body movements a day. As a result, 15% of...

Author: /time Magazine | Title: Plays Abroad: Italian Incendiary | 3/21/1969 | See Source »

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