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...that possible? The reason the government can regulate broadcast TV and radio at all is that it owns the air. The FCC licenses frequencies on the airwaves, a public resource. In return, broadcasters must meet public-service requirements and obey decency rules, which ban "language or material that, in context, depicts or describes, in terms patently offensive as measured by contemporary community standards for the broadcast medium, sexual or excretory activities or organs." That's why the FCC can police four-letter words on NBC but not in a movie or this magazine. (Pornography is different, because the law distinguishes...

Author: /time Magazine | Title: The Decency Police | 3/20/2005 | See Source »

Each story is preceded by a brief introduction written by a real-life expert on comic book history, placing the subsequent story in its comic and historical context...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Plot Leaves Chabon's Escapist in a Bind | 3/18/2005 | See Source »

...matter the context, however, and these are particularly context-heavy, whether or not someone will read these collections comes down to the content of the story. And on that front, the verdict is definitively…mixed...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Plot Leaves Chabon's Escapist in a Bind | 3/18/2005 | See Source »

...fact, several sections are better skipped. But ultimately, comic readers will be pleased that Chabon plucked the Escapist from the pages of his prose and rendered him anew in living color. And for those who first fell in love with the Escapist and his creators in the context of Kavalier and Clay, the adventure continues?...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Plot Leaves Chabon's Escapist in a Bind | 3/18/2005 | See Source »

...this creative context, the band sketches vivid musical portraits that aim to create a character and face of British rock. They prove themselves to be capable of anthem—the Parklife title track is a peerless statement of purpose, but manage to maintain a humor that gives more resilience to the weaker musical moments, whereas the minute an Oasis song isn’t a song as good as ”Don’t Look Back in Anger,” the high-mindedness and blatant subscription to guitar-rock cliché becomes brutally apparent...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERS | Title: The Drawn-Out Battle of the '90s Brit-Pop Superstars | 3/18/2005 | See Source »

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