Word: consisted
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Dates: during 1960-1969
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...countries representing four-fifths of the $20 billion in assets of the 107-nation International Monetary Fund. That process is expected to require about a year. The paper gold will go by the name Special Drawing Rights, or SDRs, and will be administered by the IMF. Though SDRs will consist entirely of entries on the IMF's ledgers, in proportion to each nation's regular IMF contributions, they will become a permanent addition to the monetary reserves of IMF countries. SDRs will be used to settle accounts between nations, which need growing reserves to sustain the growth...
...international money - paper gold - to take the pressure off dollars, pounds and real gold in bankrolling world trade and investment. It goes by the clumsy name of "Special Drawing Rights," or SDKs for short. Actually, SDKs would have some characteristics of currency and some of credit. They would consist of wholly artificial reserves, carried on the IMF's books as a separate fund and backed by pledges of contributions from IMF members in their own currencies. Nations would automatically participate in accordance with their regular IMF deposits; the U.S., for example, provides 24.59% of the fund's resources...
...weekend will consist of a cruise and dance on Boston Harbor on Friday night, a trip to Fort Warren Island in Mass Bay on Saturday, and a Saturday night concert at Back Bay theatre featuring the Lovin' Spoonful. The Freshman Council hopes to get an extension of parietals on Saturday night...
...property. The campus newspaper raked up a 1933 real-estate-rackets charge against Gordon (he was never convicted); student leaders signed a letter to Boston newspapers claiming that his dealings were "exploitive and discriminatory." Actually, Gordon's real estate holdings, which were once extensive in slum neighborhoods, now consist mostly of profitable downtown office buildings; only a few of the 100 or so apartments he owns are in the city's worst areas...
...props, sound effects and film clips have all become an integral part of the choreography, as in Jeffrey's Astarte (see cover picture). Accompaniment ranges from full symphony orchestras and electronic yawping to jazz and, as in the case of Jerome Robbins' Moves, dead silence. Costuming can consist of tossing on anything that suits the moment or, as in Parades and Changes, performed by Ann Halprin's Dancers' Workshop of San Francisco, taking it all off and cavorting around in the buff (although they wrap themselves in reams of flesh-colored paper...