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...traditions of a New England college more faithfully. Anyone visiting the two colleges would think Yale by far the older institution. The past of America makes itself felt there in many subtle ways: there is a kind of colonial self-reliance, and simplicity of aim, a touch of non-conformist separation from the great ideas and movements of the world...

Author: By Jacob M. Schlesinger, | Title: Yale hates Harvard; Harvard doesn't care | 11/16/1983 | See Source »

During his visit to Harvard in 1981. Ivers called himself a "bodhisattva of new wave music," and said that bands must be unruly, antagonistic, and non-conformist to protect their artistic integrity...

Author: By Peter R. Eccles, | Title: New Wave Musician Killed; Family Creates Harvard Fund | 3/18/1983 | See Source »

Family Ties (NBC, Wednesdays, 9:30-10 p.m. E.S.T.) offers two aging flower children (Meredith Baxter Birney, Michael Gross) raising a clan of three conformist offspring with wisdom derived less from Spock and Gesell than from Ozzie and Harriet. Gloria (CBS, Sundays, 8:30-9 p.m. E.S.T) brings back Sally Struthers from All in the Family and plunks her down in the sticks, with child, as an apprentice vet. Another show, The New Odd Couple (ABC, Fridays, 8:30-9 p.m. E.S.T.) has literally been here before. Oscar (Demond Wilson) and Felix (Ron Glass) are black this time around...

Author: /time Magazine | Title: Video: Long Reach and Shortfall | 12/6/1982 | See Source »

...stars." But applause doesn't seem reserved only for well known faculty personalities and at times students and faculty say, it appears to be nothing but a reflex action. "Everyone else does it appears to be nothing but a reflex action. "Everyone else does it and I'm a conformist," says one student another admits, "I've been drawn into...

Author: By Richard J. Appel, | Title: The Roar of the Crowd | 9/30/1982 | See Source »

...State of Siege, Costa-Gavras turned politics into melodrama; he propelled the Good Leftists and the Bad Rightists into collision so headlong that the moviegoer had little time to ponder the ideology. In The Conformist and 1900, Bernardo Bertolucci turned politics into opera; anyone susceptible to visual grandeur could be swept away by the characters' emotional arias and the camera's delirious glissandos. Now each has made a film about political kidnaping in a turbulent country-Chile in Missing, Italy in Tragedy of a Ridiculous Man-and has approached the subject at a more measured pace. Without...

Author: /time Magazine | Title: Cinema: The Politics of Melodrama | 2/15/1982 | See Source »

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