Word: conductor
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...Most-talked-of conductor in Berlin was dark, handsome, poised, 30-year-old Herbert von Karajan. He waves the baton at the State Opera, is rated only a notch below deaconlike Conductor Wilhelm Furtwängler of the Berlin Philharmonic...
Dimitri Mitropoulos thus went through the second week of a month's spell as guest conductor of the Philharmonic. This 44-year-old Greek had been summoned from Minneapolis, whose symphony he has conducted for three years, while the Philharmonic's floppy-haired John Barbirolli-a British subject of Italian-French parentage-went westward, guest-conducting on his own. After recent critical blasts at Barbirolli's spiritless stick-waving (TIME, Dec. 9), veiled comparisons and references to Greek v. Italian were inevitable. Almost unanimously the critics handed Conductor Mitropoulos the decision. Thanks to him, the Philharmonic...
Virginia Lewis might well have showed stage fright, but she didn't. When she stepped on the stage at Philadelphia's Robin Hood Dell one night last summer, before the Philadelphia Orchestra and Conductor Alexander Smallens, she had never sung with an orchestra. She had not been rehearsed for this concert. She had just been handed an unfamiliar arrangement of two songs from George Gershwin's Porgy and Bess. Someone had stepped on her gown and ripped it. But the chunky, dignified, dark brown Negro soprano let loose a voice for which everyone, including Conductor Smallens, predicted...
Followed by tail-coated plenipotentiaries, duck-bottomed Fiorello H. LaGuardia last week borrowed a nickel, pressed through the turnstiles into the subterranean maze. Donning a conductor's cap, he posed at the controls of a shiny new train, then settled back with proud satisfaction as it slithered off through the spotless white tunnel which even smelled clean. Manhattan's Sixth Avenue Subway had been opened...
...ancient faiths and indomitable spirit of man"--and from other critics something less than blind enthusiasm--whatever, I say, one thinks of it, one cannot deny its dramatic power and effectiveness. This dramatic power is what John Barbirolli fails to recreate. He is in general a pedestrian conductor, lacking the ability to envision a whole symphony in one flash, and so give his performances a clear stamp. The recording of the Sibelius Second suffers from this indeterminateness. It is rushed and nervous in places, stodgy in others, and prevailingly slovenly. One may quarrel with details of tempi when Koussevitzky plays...