Word: conductor 
              
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 Dates: during 1990-1999 
         
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Although it is not easy for performers to capture Mahler's spirit in any of his compositions, his final pieces are especially challenging. Mahler's repertoire requires spiritual empathy as well as technical delicacy. A conductor must look at life and try to see what Mahler saw--a combination of fear, ennui and child-like wonder. Unsurprisingly, an exquisite performance of Mahler is moving--but rare. And so, when conductor Seiji Ozawa and the Boston Symphony Orchestra (B.S.O.) performed one of Mahler's final (and arguably, most perfect) pieces, the vocal accompanied Das Lied von der Erde (The Song...
...thrives under something rare in the classical music world--a long-reigning conductor. In his 26th year as music director, Seiji Ozawa is currently the world's longest serving conductor of any major orchestra. With Ozawa at its helm, the BSO attains a balance that might seem impossible for other contemporary symphonies--a balance between high sales in tickets and high quality in programming. The process of choosing a repertoire can be as political as it is musical, an inimical intersection between the vision of a governing board concerned with fund raising and a conductor concerned with musical integrity...
...Berklee College of Music's Concert Wind Ensemble gives A Tribute to John Corley. Corley, the conductor of the MIT Concert Band for 51 years, is retiring after this season. Also appearing is Ivana Lisak, who will perform Stravinsky's "Concerto for Piano and Winds." 8:15 p.m. Berklee Performance Center, 136 Mass. Ave., Boston, 747-2261, Tickets...
...Jameson Marvin is probably the most prominent acting conductor in the United States if not the world," said singer Quentin Chu '99. "Being able to sing under him is my privilege...
...comments on the back of the book jacket profess. For all of those sane, not-yet-obsessed opera fans, however, the book will take a little more effort. Although written in a relaxed, unpretentious style, the narrative is inundated with the names of every important performer, publicist, conductor and record company CEO in the business, not to mention the titles and allusions to plot synopses of most of the major operas. With the effort though, anyone who reads this will emerge from this book with a new appreciation for all of those "sublime sufferers and nuts...