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...album that combines blues and dance music? Seem too absurd even to try? Well, tell that to Mississippi blues singer R.L. Burnside, whose new album is a test of just how far the concept of musical fusion can go. According to Burnside, "Adam and Eve were dancing to the blues. Blues is nothing but dance music." Still, there is a risk in making any sort of fusion album. Fusion music often ends up combining the worst elements of two styles rather than the best. But Burnside is too good of a musician to let that happen. As a blues...

Author: By David Kornhaber, | Title: Album Review: Come On In by R.L. Burnside | 5/7/1999 | See Source »

...landscape of the educational countryside; Oxford and Cambridge adapted and refined their expanses of herbiage to conform to fashion dictates. Oxbridge was the seat of elite male education in Britannia. In her 1994 work, "The Lawn: A History of an American Obsession," Virginia Scott Jenkins relates how the lawn concept emerged in the 18th century, when the gardens at Versailles were designed to include a small lawn, called the "tapis vert" and the popularity of Lancelot Brown's landscape stylings in Britain ("a new, elite style characterized by a mixture of meadows, water and trees, with grazing animals and graceful...

Author: NO WRITER ATTRIBUTED | Title: As Follows | 5/6/1999 | See Source »

...Lawns lost their romantic associations with English manor living years ago. The concept of the lawn is now a thoroughly American one and one thoroughly devoid of romance. A mental image of suburbia literally couldn't exist without the lawn (and the fat balding man standing around in his boxers, watering it with a flaccid garden hose, but more on that later) --suburbs were in fact designed around lawns. Jenkins describes the flight to suburbia and the ascendancy of the single-family home with front yard as "the most characteristic single feature of European settlement in North America...

Author: NO WRITER ATTRIBUTED | Title: As Follows | 5/6/1999 | See Source »

...landscape of the educational countryside; Oxford and Cambridge adapted and refined their expanses of herbiage to conform to fashion dictates. Oxbridge was the seat of elite male education in Britannia. In her 1994 work, "The Lawn: A History of an American Obsession," Virginia Scott Jenkins relates how the lawn concept emerged in the 18th century, when the gardens at Versailles were designed to include a small lawn, called the "tapis vert" and the popularity of Lancelot Brown's landscape stylings in Britain ("a new, elite style characterized by a mixture of meadows, water and trees, with grazing animals and graceful...

Author: By Elisheva A. Lambert, | Title: The Dirt Beneath the Grass: The Yard's Elite Roots Uncovered | 5/6/1999 | See Source »

...Lawns lost their romantic associations with English manor living years ago. The concept of the lawn is now a thoroughly American one and one thoroughly devoid of romance. A mental image of suburbia literally couldn't exist without the lawn (and the fat balding man standing around in his boxers, watering it with a flaccid garden hose, but more on that later) --suburbs were in fact designed around lawns. Jenkins describes the flight to suburbia and the ascendancy of the single-family home with front yard as "the most characteristic single feature of European settlement in North America...

Author: By Elisheva A. Lambert, | Title: The Dirt Beneath the Grass: The Yard's Elite Roots Uncovered | 5/6/1999 | See Source »

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