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...dream world which Dali has recorded is as specialized as it is vivid. Once a boy wonder at copying Vermeer and Leonardo, he discovered by self-analysis in Paris that he had a persecution complex (paranoia). His oil technique remains that of a brilliant, baleful Vermeer; his images are obsessive, malignant, and recur in painting after painting: unearthly shores and infinite plains, cliffs glowing with sunset, exhausted human profiles on flesh-blobs like stranded sea cows, attenuated human limbs held up by forked props and peduncles, shiny French telephones, lustrous big black ants. No. 1 criticism of Dali is that...

Author: /time Magazine | Title: Art: Dreams, Paranoiac | 4/3/1939 | See Source »

Jazz interests Scholar Sargeant but does not fascinate him. He finds it "an art without positive moral values, an art that evades those attitudes of restraint and intellectual poise upon which complex civilizations are built. At best it offers civilized man only a temporary escape into drunken self-hypnotism." Like the American skyscraper, movie plot and funny paper, Jazz has no conclusion. But, admits Author Sargeant, it has vitality and, maybe, a future...

Author: /time Magazine | Title: Music: Scholar on Swing | 4/3/1939 | See Source »

...that modern life is a very complex affair is even more true than it is platitudinous. This complexity has confounded governments when they have attempted to regulate human relations. It has also confounded scholars and professors. So vast is the mass of knowledge today that no one dares to face the whole of it; and the result is that scholars have taken refuge in specialization. More and more have they drawn into their tight little corners of specific knowledge, completely curtained off from the rest of the room...

Author: NO WRITER ATTRIBUTED | Title: THE WALLS COME TUMBLING DOWN | 3/27/1939 | See Source »

...performance are qualified only by the occasional drawbacks of the play itself. Certain lines--especially in the first act--come too fast for even the most hardened crack cracker; the story, containing one case of mixed identity, virulent satirizing of Henry Luce and the "Fortune" outfit, and a complex love relation, verges on the obscure. But individual scenes, such as Miss Hepburn's "interview" of "Destiny's" reporters in the first act and the love scene between Van Heflen and Miss Hepburn in the second, show real brilliance, and give to the play an underlying significance. With his great understanding...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 3/14/1939 | See Source »

...soon had a monopoly on Manhattan transit. Meanwhile Brooklyn Rapid Transit Co. attained a similar monopoly across the river in Brooklyn, though it had no subway then. This cozy set-up has foliated through the years until today New York's rapid transit lines are a complex tangle with only three clear-cut divisions...

Author: /time Magazine | Title: CARRIERS: Transit Trouble | 3/13/1939 | See Source »

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