Word: complementing
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Playboy-Prodded. Esquire has seen several downs and ups. When it was born in 1933, the outgrowth of a men's-wear trade magazine, Editor Arnold Gingrich sought literary quality to complement his fashion features-and got it at $100 a story from Depression-pressed authors like F. Scott Fitzgerald, e. e. cummings, Dashiell Hammett, Ezra Pound, Thomas Wolfe and Thomas Mann. One exception: Ernest Hemingway, who characteristically demanded and got $200. Much of Esquire's fiction has remained on that level, with postwar bylines including Joyce Gary, William Faulkner, Aldous Huxley, Arthur Miller, Paddy Chayefsky, Sinclair Lewis...
...stranger's introduction to the city; a poet, George Dickerson, produces a remarkably prosaic, candid analysis of New York women. Occasionally, local color shifts into caricature, and the book is too breezy and cranky to serve as a visitor's only guide. It is fine as a complement to Kate Simon's New York Places and Pleasures...
Electra Webb loved to talk in such proverbs, and the new memorial building at Shelburne faithfully reflects her homespun, silver-spoon style. The Rembrandts in the living room complement a Chippendale sofa covered in needlepoint, an English secretary and an English gaming table. Mary Cassatt's pastel of Electra's mother hangs in her bedroom. Desk and dresser tops are crowded with silver-framed photographs of her children and grandchildren-and a white satin pillow on the bed bears the red-embroidered maxim: "We live in deeds, not years...
...ALPERT & THE TIJUANA BRASS (RCA Victor). Though few arrangers admit it, much of what comes out of the recording studios these days is inspired by Herb Alpert's Latin-flavored brass sound. Giving credits where credit is due, Nero here presents sparkling and masterful piano solos that nicely complement the sophisticated slurrings of the horns in A Taste of Honey, What Now My Love and Tijuana Taxi. His technique is at its best as he evokes the swirl of a jazz dance in the theme from Zorba the Greek, or lays out a burning, soulful line on The Work...
...serves as a good introduction to the sensitive baton of Charles Mackerass, an Australian-trained conductor steeped in 18th century lore. His soloists (including Janet Baker and Elizabeth Harwood) do not equal those of the Davis recording; but this is a wonderfully stirring performance, astringent with a heavy complement of woodwinds as in Handel's day and jubilant rather than reverent...