Search Details

Word: complementing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Nick Clark as Ma Marion and Jack Olive as Junior are in beautiful control of their parts and complement Patterson's sometimes undirected energy. Clark wields a strong umbrella, an even stronger arched eyebrow, struts and talks his castrating role for all its raucous humor. Olive, who doesn't have much of a singing voice, is almost obscenely comfortable on a stage, engaging and convincing as he puts across the show's only ballad. Randy Parry (Belle Bottom) develops the indifferent drunken daughter's part well, but is overshadowed by the sensational obscene clowning of Ed Strong and Randy Guffey...

Author: By Richard R. Edmonds, | Title: Bottoms Up | 3/4/1969 | See Source »

...Most courses given currently are defined as well taught, but they do not touch on the full complement of art historical issues," stated the audit which was released last week. It suggested that the department...

Author: NO WRITER ATTRIBUTED | Title: HRPC Audit Asks Greater Diversity In Fine Arts Dept. | 2/25/1969 | See Source »

...three plays complement each other nicely and make for an enjoyable evening. If you happen to find one tedious, the two others are sure to compensate...

Author: By Deborah R. Waroff, | Title: 3 Absurdities | 2/7/1969 | See Source »

...black-and-white-and-red-all-over flashbacks do evoke the twenties; the flagrantly overdirected love scene in Lylah's old room effects a stylistic shift in two cuts from '60's modernism to '30's glamour; the final studio scenes provide violent clashes of imagery and decor which complement the growing take-over of the dead Lylah. What Lylah Clare means is ambiguous and personal, and depends anyway on whether you can take the film seriously at all. For my part, I reject all this talk about High Camp and find it a wholly captivating, often moving, romance...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

...Chinoise reduces style to static set-ups and simple tracks ("The tracking snot is a political act," says Jean-Luc mystically); color is stripped largely to the primary range. Both decisions complement the didacticism of the young Parisian Maoists by omitting all but the starkest and most basic cinematic devices, also by reminding us constantly that we're watching a movie. Perversely, the lean movements and bright colors give La Chinoise charm and humor (not, I suspect, two of Godard's favorite critical adjectives) and make its polemicism entertaining...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next