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...Connery's earlier efforts, Thunderball. In that offering, the con-partisan bad guys, SPECTRE, captured a etched U.S. Air Force plane with nuclear missiles a board and then ransomed it to the world. This name, SPECTRE is up to evil doings once again, filtrating NATO's strategic bomber command with a turncoat U.S. Air Force officer, sending two cruise missiles armed with nuclear warheads into the Atlantic--where, again, the evil group is waiting to claim and ransom them...

Author: By John D. Solomon, | Title: Nobody Does It Better | 10/17/1983 | See Source »

Those who care about the national parks should redouble their efforts to fight Reagan's policies. With Watt's departure the environment could cease to be a high-profit issue. Certainly, environmental issues should continue to command public attention. But somehow they will look different without the glare off of Jimmie Watt's cranium...

Author: NO WRITER ATTRIBUTED | Title: No More Cranium | 10/14/1983 | See Source »

Editor's Note: Errol T. Louis's article When the Tough Get Going (10/4/83) quotes the phrase "kick ass" not from James Q. Wilson's writings but from the lecture delivered by Wilson and George L. Kelling to the Command Staff of the New York City Police Department...

Author: NO WRITER ATTRIBUTED | Title: Deterrence | 10/11/1983 | See Source »

...lecture which I delivered to the Command Staff of the New York City Police Department was based not only on the "Broken Windows" article written with Professor James Q. Wilson. [The Atlantic, 249, No.3 (March 1982) 29-33], but also on other articles I have published (especially about automobile and foot patrol), research I have conducted, my concern that those most vulnerable in our society--the urban poor, minorities, and the elderly--receive adequate police help and protection. Professor Wilson and other coauthors were in no way responsible for the content of that lecture...

Author: NO WRITER ATTRIBUTED | Title: More Deterrence | 10/11/1983 | See Source »

...unfamiliar role: as multimedia star. In his new one-man show, which opened last week on Broadway, he is portraying a man who helped define the image of the charming, demon-driven actor. The stage is suffused with a gloomy glow-the dressing room for a command performance in hell, crowded with the ghosts of Kean's past. His wife, his mistress, his dead son and his surviving one, the theater managers who wronged him and the leading men he saw as his incompetent rivals, all are evoked by Kingsley in brisk, meticulous sketches. Too brisk, perhaps: melodramatic incidents...

Author: /time Magazine | Title: You Got the Part, Ben | 10/10/1983 | See Source »

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