Word: comically
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...harmless, weightless enterprise, an attempt to blend the spirit of the opulent old MGM musicals with the jackhammer sound of disco. The movie brings a certain chaotic zest to the group's Y.M.C.A., transforming it into a lavender update of a Busby Berkeley danceathon; and Paul Sand performs comic wonders with the role of a manic music executive. But there is no style here. Producer Allan Carr's guiding principle seems to be: shoot everything that moves, throw it on the cutting-room floor, give the editor a vacuum cleaner and hope that it will all work...
...story line continues the basic good-guys vs. bad-guys theme of the original film. Darth Vader wants Luke, and he uses Leia, Han, Chewbaca and C-3PO as bait to lure the young hero into his chillingly evil clutches. Like its predecessor, Empire provides some genuinely comic moments and some downright dimwitted dialogue. But unlike the original, the new film contains some truly shocking plot twists...
Among them is Georgi Daneliya, who made the appealing, comic Autumn Marathon (1979). It is about a teacher-translator trying to balance the requirements of his overextended double career with the equally pressing demands of a suspicious wife and a possessive mistress-a situation familiar to members of the Western bourgeoisie. The movie offers an agreeable insight into the life of the educated, privileged class in the Soviet Union...
Most-favored-director status goes to Mikhalkov-Konchalovsky's brother Nikita Mikhalkov, 34. His Slave of Love was one of the few recent Soviet films to receive critical acclaim and a measure of box-office success when it was released in the U.S. last year. A touching, gently comic portrait of a movie company on location in 1917, Slave of Love shows a group of innocents trying to avoid being caught up in the revolution. In Five Evenings, Mikhalkov tells the story of a middle-aged man and woman trying to pick up the threads of a romance they...
...things as they were. In some respects, the book is a Jewish Brideshead Revisited, the sacred and profane memoirs of an exaggerated autobiographical character named Joshua Shapiro, a Montreal writer and TV personality. A resemblance to Evelyn Waugh's novel is not farfetched. Richler twice borrows the comic master's line about the companions of his youth: "Mad, bad, and dangerous to know." In addition, the prodigal North American seems to have learned much from Waugh about episodic plotting and mixing poignant and farcical events...