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Word: comically (lookup in dictionary) (lookup stats)
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...ROMANTIC LEADS, usually serve as mere straight-men for the comic characters. But in Yeomen Phoebe, Fairfax, and Elsie all play three-dimensional, pivotal roles, especially in this production, because both comic principals are weak. Willis Emmons turns the razor-sharp, dominating role of Jack Point into a confusingly puckish, giggly supporting player. Some of the blame falls to director Paul R. O'Neill, who evidently has encouraged Emmons to read much of his dialogue in a jarring falsetto. In addition, Martha Weiner's Act One costume for Point bares too much resemblance to the costumes for the chorus...

Author: By Michael W. Miller, | Title: A G & S Surprise | 12/11/1980 | See Source »

Keyboard Player Brian O'Neal, 24, and his bassist brother Kevin, 19, who wrote Minimum Wage's eleven songs and swap most of the lead vocals, share a gift for flipping stereotypes into comic contortions. Kevin's Respect is part Rodney Dangerfield, part Aretha Franklin. Brian's Johnny Soul'd Out is a black man's declaration of independence to make the kind of music he wants, not what is expected of him ("Johnny soul'd out . . ./ He's into rock 'n' roll and he's given...

Author: /time Magazine | Title: Music: The Bus Boys Are Moving In | 12/8/1980 | See Source »

...comic relief came before the start of the 220. With runners on the line, the starter standing on the edge of the banked curve toppled off the track, landed with a resounding "thud," and had to scramble back up to set the runners off. The crowd in the gallery roared--it enjoys good slapstick as much as good running...

Author: By Sara J. Nicholas, | Title: Women Tracksters Whip UNH, 61-44 | 12/8/1980 | See Source »

...itself was not so comic. UNH's Aleshia Davis took the event easily, while Harvard had to settle for third...

Author: By Sara J. Nicholas, | Title: Women Tracksters Whip UNH, 61-44 | 12/8/1980 | See Source »

...thief begins to duplicate his actions, almost to think his thoughts. When Shingen's son, Katsuyori, eager to assume his dead father's power by exposing the double, challenges the compulsorily silent double at a large meeting, Kurosawa doesn't cut to the double's face for the comic reaction of a man stuck in the spotlight who doesn't know what to say. Instead, he shoots from behind the double; there is a silence and then he responds, surely as Shingen would have, and you feel the presence of the former lord in the double's silhouette...

Author: By David B. Edelstein, | Title: By Indirection | 12/6/1980 | See Source »

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