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Karen Black is hysterically funny as the mixed-up Zee who loves to eat and smoke but who, underneath it all, would like to think she has it all together. She delivers comic lines in the most serious manner to enhance their humorous effect, and is always quick with a witty response. At one point Zee tells Eli, "You've got lots of energy but it all gets struck in your forehead--you think too much." And when he chastises her for her smoking, she quips, "I love to smoke...in fact, I love to want to smoke...I like...

Author: By Andrea Fastenberg, | Title: Overcooked | 3/6/1984 | See Source »

...plays the part of an insensitive boor with excessive mannerisms and a loud voice. Michael Caine, in turn, seems constantly confused, as if he was just thrust in front of the camera and attempting to regain his composure. Caine, however, does the best he can and delivers the few comic moments in the film wonderfully. Finally, Demi Moore puts in the movie's most endearing performance as the disillusioned Nicki who sadly watches her friend Jennifer lead her father astray...

Author: By Rachel H. Inker, | Title: Sunburn | 3/6/1984 | See Source »

...part to the fact that she is required to do about half her scenes nude to the waist) seduces "Uncle Matthew." The joke-if the word can be applied here-is that she is cool and sophisticated, while he gets all flustered and furtive in a supposedly comic way. What the writers want to have taken as a morally balancing conclusion-it is actually just another act of desperation-is supplied by the revelation that Matthew's wife has, all along, been having an affair with Victor...

Author: /time Magazine | Title: Cinema: Troubled Pair | 2/27/1984 | See Source »

...titles as Bronze Buckaroo. They were almost all without militancy, and at every turn of the plot endorsed the go-along-to-get-ahead values of the black bourgeoisie of that time, including its color caste system. The hero and heroine tend to be lightskinned, the villain and the comic relief darker. Says William Greaves, a film maker who began his career as a stage actor who worked in black films: "The Hollywood films were an environmental factor; they created certain expectations in the audience that black film makers felt they had to fulfill...

Author: /time Magazine | Title: Show Business: Artifacts of a Lost Culture | 2/27/1984 | See Source »

...version offers more consistently inventive staging and better dialogue, which becomes a sort of merrily muttered accompaniment to the main comic theme. It was, of course, wonderful to watch the meltdown of Rex Harrison's icy aplomb in the original, and one cannot expect that of Moore; there is only a half-pint of him to melt. But the range and control of his facial expressions are a joyous astonishment, and the Ministry of Silly Walks should declare him a national treasure. Kinski too is back within her best range, cheerfully sexy instead of glumly sultry. In short, Unfaithfully...

Author: /time Magazine | Title: Cinema: Reprise | 2/20/1984 | See Source »

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