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Garry Trudeau may be the most private public person in American life. His acerbic and politically acute comic strip, Doonesbury, a national institution for some 15 years, appears in nearly 900 newspapers and is the first comic ever to win the Pulitzer Prize for editorial cartooning. Spin-offs have been ubiquitous: more than 30 books, an NBC-TV special, a rock album and a Broadway musical, all written by Trudeau. His jabs have provoked outrage from targets as varied as Frank Sinatra and House Speaker Tip O'Neill. Yet with just a handful of exceptions over the years -- mostly college...

Author: /time Magazine | Title: Attacking a National Amnesia | 12/8/1986 | See Source »

...problem merely a linguistic one. Just what name the affair acquires may influence how it is viewed by the American public. A scandal dubbed, say, Ayatullahgate or Mullahmess will be hard to take seriously, much less spell correctly. On the other hand, a silly name could offer some welcome comic relief in what might become an increasingly grim affair...

Author: /time Magazine | Title: The Scamgate Connection | 12/8/1986 | See Source »

...approaches comedy through the eyes of a vulnerable, naive persona, an innocent commenting on the world, But the real Emo is almost indistinguishable from his comic persona at first. He slips in a joke wherever possible, ponders each answer as though on another planet, and only then lets a small grain of truth slip...

Author: By Ellen R. Pinchuk, | Title: Emo Speaks | 11/22/1986 | See Source »

...TOOK Marcel Marceau, dressed him like a third grade geek and gave him extensive electroshock therapy you'd create a creature very similar to Emo Phillips. Give him an abused childhood and a wretched lovelife and you'd provide most of his comic material...

Author: By John P. Thompson, | Title: Way, Way, Way Out There | 11/22/1986 | See Source »

...Lantry's murderous libido. They also suffer Bradbury's murderous writing, having to deliver such lines as "Law? The terms you are using no longer exist." Several improvised scenes, particularly a discussion about the digestibility of spaghetti, are genuinely funny; others miss the mark. On the whole, though, the comic breaks serve as welcome oases in a sea of burdensome sci-fi philosophizing...

Author: By Jeffrey J. Wise, | Title: Schizophrenic Futurism | 11/21/1986 | See Source »

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