Word: comically
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...sulfurous sensuality Tonya Pinkins radiates in Jelly's Last Jam, but you'll get the achy-breaky pain in her reading of Play the Music for Me. On the Secret Garden album, Daisy Eagan, the show's child star, is forever 11, frozen in innocence. Faith Prince's comic chirps and sniffles come across magnificently on Guys and Dolls, as does the schlemiel's charisma of Nathan Lane in his Sue Me duet with Prince...
...disillusionment that sends her to her grim fate. What is wrong could not be fixed by any amount of dressing up. Anna is an earnest, intermittently moving but never quite thrilling stage equivalent to PBSs Masterpiece Theater -- lovely gowns, precise elocution and ballroom dancing, with a stately pace, wayward comic intrusions and scant urgency...
...colors together with a sort of consuming, sad energy. They are the blues, in paint. Everything seems right about the pattern of Sowing (circa 1940): the fierce orange and yellow stripes, the eccentric placement and displacement of shape, the not quite naive use of repetition and rhyme, even the comic-strip blue cabin and the Looney Tunes mule. And The Breakdown (circa 1940-41), showing a sharecropper's feet protruding from beneath his stalled jalopy while a huge sun sinks and his wife scrapes together a meal by the side of the road, has some of the deep, wry, emblematic...
...brightest members of that small club is Jerry Seinfeld. The Long Island native was perhaps the quintessential yuppie comic of the '80s: his larky, laid-back observations about the trivial pursuits of modern life -- buying candy at a movie theater, riding with your dog in the front seat of the car -- were funny, recognizable, nonthreatening. Now he is the centerpiece of nbc's hottest sitcom. Since the series made its debut in January 1991, Seinfeld has improved steadily in the ratings, especially among young, upscale viewers searching for life after thirtysomething. Sign of a show on the make: NBC promoted...
...structured, with the anecdotal, stream-of- consciousness style of monologue material. One entire show last season was set in a parking garage, as Jerry and his friends searched for their car. In another, Jerry got friendly with ex-New York Mets star Keith Hernandez; the show spun a hilarious comic essay on hero worship and male bonding. "He wants me to help him move!" cries Jerry after one phone call. "I said yes, but I don't feel right about it. I mean, I hardly know...