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There are definite problems with this approach. For one thing, Morphos must sacrifice some suspense on the altar of comic effect, and as a result, the final revelations lose part of their force. In addition, her emphasis curtails the range of emotions implicit in the script, since characters as different as the cynical Mr. Paravicini and the pathetic would-be architect Christopher Wren emerge in this production as similarly successful comic types. Sometimes laughter intrudes where it shouldn't; for example, Wren's paranoid outburst in the second act ("You're all against me, everyone's always been against...

Author: By Julia M. Klein, | Title: Cheese Without Holes | 11/6/1975 | See Source »

...prosecutors, Paul claims, ignored evidence that might have swayed the jury: a clipping of a comic-strip version of an Old Testament episode that Little had used as a bookmark in her Bible, which was found after the killing. The clipping, which prosecutors insist they have never seen, showed an Israelite woman, Jael, luring an enemy into her tent, then driving a nail into his head while he slept. The fact that the prosecution did not use the strip, contended Paul, a persistent court critic, only bolstered his cynicism. Given an undistinguished prosecutor and a clever defense attorney with money...

Author: /time Magazine | Title: The Law: Little Charade? | 11/3/1975 | See Source »

...another victim of "Charlie fever"--"we couldn't only pick up the good things about white men, we couldn't just be men, no, we had to take on the bad parts, the hustling, the rackets, the big cars and fine clothes." This emphasis pervades even the moments of comic relief provided by a lanky, effiminate short-order chef who wants to be a classical dancer--he takes lessons from a white...

Author: By Tom Blanton, | Title: Charlie Fever | 11/1/1975 | See Source »

Habeas Corpus. Subtitled "A Tale of the Permissive Society," it is a comic courtroom drama. The cast includes June Havoc, Celeste Holm, Jean Marsh, Rachel Roberts and Donald Sinden. At the Colonial Theatre, 106 Boylston Street, Boston. Performances through November 8, evenings at 8 p.m., matinees...

Author: By Julia M. Klein, | Title: THE STAGE | 10/30/1975 | See Source »

...script. Mark O'Donnell as Fritz, the student who makes the mistake of leaving his betrothed alone too long, is even more inept and ineffectual than the part calls for. Derek Pajaczkowski is no better as the loud and boorish Buttress, straining too hard to produce minimal comic effects...

Author: By Julia M. Klein, | Title: If Thy Eye Offend Thee | 10/29/1975 | See Source »

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