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Word: coloring (lookup in dictionary) (lookup stats)
Dates: during 1960-1960
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Usage:

...before him. "I invade privacy," says Koerner, "the most highly secret, sacred privacy." The green hair and the purple patches of flesh are in fact a legacy of the mpressionists -"the idea of green foliage, blue sky, warmth of flesh, all playing, interchanging with each other." For the dominant color of the painting as a whole, Koerner searches for clues in the subject's own character...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 28, 1960 | 11/28/1960 | See Source »

Technically, the film is respectable. The street and harbor scenes in the crown colony bustle with color, the interiors are ingratiatingly ratty. Literarily, the picture is a mad chow mein of Chinese-laundry English, doused with a sickly marmalade of sentiment and soy-sauced now and then by a daffy line (prostitute announcing her baby's name: "Weenston. Hees fader velly importan' man"). Dramatically, it is just one long touristic stagger through the better bars and restaurants of Hong Kong...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 28, 1960 | 11/28/1960 | See Source »

Filmed in England and at Scotland's Hermitage Castle in the Cheviot Hills, the play-with its bright Highland backgrounds and darkly cloistered interiors-was done in some of the most living color ever seen on television. It was well directed by George Schaefer, who made restrained but effective use of the advantages of film: for the forest-concealed murder of Banquo; for an electronically superimposed vision of his ghost, whose airy lack of substance helped direct attention away from the supernatural and into Macbeth's mind; for the approach of troops, siege ladders, battering rams, and Birnam...

Author: /time Magazine | Title: Show Business: Triumph at Dunsinane | 11/28/1960 | See Source »

Painting with Bread. What seemed like claptrap was in fact a pioneering concern with light-the same concern that the impressionists were to share almost a generation later. While other artists began even the sketchiest watercolor with a painstaking drawing, Turner worked swiftly and directly with color. He might use a sponge, a knife, a finger or a piece of bread to get the desired effect; he was perfectly willing to let form be nearly drowned in movement. Few men have ever captured so luminously the restless wave, the fleeting cloud, a gathering mist or a fading twilight...

Author: /time Magazine | Title: Art: Prodigal Landscapist | 11/28/1960 | See Source »

Macy's Thanksgiving Day Parade (NBC, 11-12 noon). The 34th Street operators at work for the 34th straight year. Color...

Author: /time Magazine | Title: THEATER: On Broadway, Nov. 28, 1960 | 11/28/1960 | See Source »

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