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...typically consists of a row of black and white pixels on a computer screen--the "cells"--and a simple rule for transforming that row into a new one. A rule might go like this: If a pixel in a given position is flanked by pixels of its opposite color, reverse its color when drawing the corresponding pixel in the next row; if not, keep it the same. By automatically applying the rule on each row as it moves down the screen (thus the term automaton), the computer builds up a pattern of remarkable complexity. Some of Wolfram's cellular automata...

Author: /time Magazine | Title: How Everything Works | 5/20/2002 | See Source »

Like the army of clones deployed in Episode II, a gaggle of critics has already spread the news that the picture stinks. It doesn't. It has more action than either Spider-Man or the last Star Wars film, The Phantom Menace. It's gorgeously designed and color coordinated; the god who created this galaxy was working from a very rich palette. In its digital version (Clones will be shown on traditional film in most theaters), the image is shallow but sharp and subtle. If this is the future of movies--at least of epics with visual effects that make...

Author: /time Magazine | Title: Blockbuster Summer: Let the Battle Begin! | 5/20/2002 | See Source »

...least, of perceived romantic appeal. Like Griffith, Micheaux's feminine ideal seemed to be prim, virginal Lillian Gish; he insisted that his actresses wear chalk makeup to make them seem whiter, lighter - Gishier. "The first offense of the new film is its persistent vaunting of intra-racial color fetishism, "wrote the black critic Theophilus Lewis, reviewing a 1931 Micheaux talkie, "Daughter of the Congo," in the New York Amsterdam News. "Even if the picture possessed no other defects, this artificial association of nobility with lightness and villainy with blackness would be enough to ruin...

Author: /time Magazine | Title: Black Cinema: Micheaux Must Go On | 5/13/2002 | See Source »

...render harmless," all its weapons of mass destruction. The last U.N. weapons inspectors left Iraq in December 1998, after obstruction by officials there rendered their work pointless. It is generally agreed that Saddam Hussein has not been behaving himself in their absence. The U.N. has collected reams of color satellite photos showing an unmistakable boom in reconstruction of Iraqi sites, some of which were weapons facilities in the past. "You can see hundreds of new roofs in these photos," says Hans Blix, the Swedish diplomat who heads the U.N. Monitoring, Verification and Inspection Commission, which is preparing to conduct future...

Author: /time Magazine | Title: What Saddam's Got | 5/13/2002 | See Source »

...course, in keeping with the acceptable color palate, self-tanners, much like the cosmetics that one applies after the tanner has set, stop at caramel. Rather they take that caramel color and shine it up a bit, give it a one-part-sun-kissed-sweat-mixed-with-two-parts-South-of-France-glow for a metallic, odd-looking color aptly named bronze. As I read the June issue of Glamour, it seemed that a race of she-bots stared back at me, their bronze metallic skin glowing in the studio-filtered sun, their blonde hair only slightly lighter than their...

Author: By Antoinette C. Nwandu, | Title: Go Bronze, Young Woman | 5/13/2002 | See Source »

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