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The new totem pole tells the same story of the repatriated art piece: the story of the Fox, the Hunter, and the Brown Bear. The new pole is a recent creation and thus bolsters the museum’s collection of contemporary Native American art—a collection which...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

In 1990, the Native American Graves Protection and Repatriation Act (NAGPRA) required that federally-funded institutions like the Peabody initiate dialogues with federally recognized tribes about the artifacts in museums. The Peabody’s collection of Native American artifacts is one of the largest in the nation subject to...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

The Peabody and the tribes can forge strong relationships when tribes exercise their rights as outlined in the act. For example, the federally-recognized Cape Fox Corporation—which legally represents various Alaskan Native American tribes—deemed one totem pole in the Peabody collection an object of...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

Since the beginning of his poetic career, Lerner has experimented with form and structure. His first collection, “The Lichtenberg Figures,” is entirely composed of sonnets, while his second, “Angle of Yaw,” which was announced finalist for the 2006...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Lerner Attempts to Reinvent Form in ‘Mean Free Path’ | 3/9/2010 | See Source »

The result of this search is his new collection, “Mean Free Path.” The book is comprised of intimate verse narratives, addressed to a certain “Ari,” who seems to be the narrator’s confidant, or perhaps a...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Lerner Attempts to Reinvent Form in ‘Mean Free Path’ | 3/9/2010 | See Source »

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