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Word: coding (lookup in dictionary) (lookup stats)
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...Moon Looks Down. As Carrington well knows, the art is not easy. Drum talk is not a code like Morse. It is actually an attempt to reproduce language. Every syllable has its own tone, which the drummer must be able to catch by striking the hollow log at exactly the right spot. In some Bantu dialects, a single tone pattern may have different meanings, as in the pattern for moon and jowl. Thus, a drummer must know enough to add a qualifying phrase: moon becomes "the moon looks down on the earth" and fowl turns into "the fowl, the little...

Author: /time Magazine | Title: Education: Boomlay | 11/22/1954 | See Source »

Jordan has had outstanding players at Harvard since--Buddy LeMay, Dick Clasby, John Culver. But he has always continued to emphasize the team. "Block, tackle, and run," has been a satisfactory motto on the field, but he has supplemented it with a three-point code. "First, I consider what's good for the boy. Second, what's good for the institution he represents, and third, what's good for the sport." These standards are not mere eyewash: Dick Clasby, injured in last year's Davidson game, might have made the difference in the Princeton game. But even though Clasby...

Author: By Jack Rosenthal, | Title: "Sock It to 'Em" | 11/20/1954 | See Source »

...Comics Magazine Association of America, created to combat public criticism of horror comics, last week announced its Comic Book Code, which will be enforced by Censor Charles F. Murphy, former New York City magistrate. Among the provisions: ¶ The words "horror" and "terror" are not permitted as comic-book titles, and no "scenes of horror, excessive bloodshed, gory or gruesome crimes, depravity, lust, sadism or masochism" are allowed. ¶ Sympathy for criminals, "unique details" of a crime, or any treatment that tends to "create disrespect for established authority" are banned. ¶ "Profanity, obscenity, smut, vulgarity, ridicule of racial or religious...

Author: /time Magazine | Title: The Press: Code for Comics | 11/8/1954 | See Source »

THIRTY YEARS, by John Marquand (466 pp.; Little, Brown; $5). The plot line of this three-decade collection of short stories (plus a few nonfiction pieces of reminiscence) is familiar: boy meets code, boy breaks code, code breaks boy. The codes are Boston and family, club and army. After a bout of spiritual beachcombing, the slightly disenchanted heroes generally return to pukka grace. Boston is the city Marquand almost hates to love, but love it he must-though he is not above shaking his own family tree for laughs. Most of the fiction was written for big-circulation magazines...

Author: /time Magazine | Title: Books: Mixed Fiction, Nov. 1, 1954 | 11/1/1954 | See Source »

...BRIDGE OVER THE RIVER KWAI, by Pierre Boulle (224 pp.; Vanguard; $3), is a superb, ironical study of a minor British Don Quixote who insists on fighting for code and country-even though it is yesterday's code of yesterday's officers and gentlemen. When Colonel Nicholson is captured by the Japanese after the fall of Singapore, he tries to hand over his pistol with an air of "quiet dignity," having earnestly practiced the gesture. But he is allowed no dignity at all: the Japanese order him to build a railroad bridge. Huffing and puffing about the Hague...

Author: /time Magazine | Title: Books: Mixed Fiction, Nov. 1, 1954 | 11/1/1954 | See Source »

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