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...while the story's very background is imperious. The play involves the division between the Afrikaners and the English as well as between whites and blacks. Its young policeman hero (Barry Sullivan) -who, by sinning with a native girl, tragically violates both the law and a relentless social code-stands in as fissuring a relationship to his bigoted Puritan father (Finlay Currie) as to his narrow, unresponsive wife. There are half a dozen sources of voltage and half a dozen reasons for crossed wires; and such a complex of race and religion, of family and sex, cannot...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Oct. 22, 1956 | 10/22/1956 | See Source »

Outright warfare between the American Medical Association and the networks over "quack M.D.s" ended three years ago, but there have been brief skirmishes ever since. Under the terms of a 1953 code drawn up between the A.M.A. and the National Association of Radio and TV Broadcasters, any commercial featuring a phony Dr. Kildare requires an accompanying announcement making it clear that the medic is really a greasepainted TV actor. Recently, however, sponsors have dropped the qualifying "disclaimer" or have found means of skirting the principle of the code; e.g., just before the show goes off the air, comes a vague...

Author: /time Magazine | Title: Radio: The Great Medicine Show | 10/22/1956 | See Source »

...nation could ask for better citizens than the members of Rhodesia's Apostolic Sabbath Church of God. Forswearing tobacco, alcohol and profanity, they live and care for one another in close community under a religious code in which even physical uncleanliness is punishable by excommunication. In 1947 some 600 men, women and children of the Sabbath Church went to South Africa to weave baskets and make furniture in Korsten, a suburb of Port Elizabeth. Their industry and thrift led to a prosperous industry...

Author: /time Magazine | Title: SOUTH AFRICA: Get Out! | 10/15/1956 | See Source »

...death of God," say France's existentialist intellectuals. "The problem of the aoth century is the death of man." Most of the writings of 50-year-old, Paris-dwelling Irish Expatriate Samuel Beckett (Waiting for Godot) are opaque obituaries of humanity. Written in a kind of Joycean code, they are further complicated by a neo-Cartesian quest for identity, the logic of which runs: "I cannot think and do not know, therefore I am-or am I?" In his play Waiting for Godot, this intellectual razzle-dazzle bewildered theatergoers, delighted highbrows and kept critics lunging desperately for underlying meanings...

Author: /time Magazine | Title: Books: Molten Gloom | 10/15/1956 | See Source »

Curtain-in the play. But in the film, of course, the heroine must pay her homage to The Code. She loses her husband and is miserable ever after...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 8, 1956 | 10/8/1956 | See Source »

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