Word: codas
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...Haydn was poor. Accompaniment figures in the violas were almost polytonal, and in spite of stalwarts like Street, Lisa Sandow and Richard Hamm, the strings evinced the same raw amateur sound that has plagued the Bach Society for years. Only in the humor of the finale's coda did the work manage to come alive...
...body, and the rhythm had vitality. Carl Schlaikjer's oboe-playing and Daniel Farber's kettledrumming were particularly expert; and all the hornists negotiated their treacherous parts with real heroism. There were some bad moments, such as the ragged fiddling at the start of the first movement's coda and the end of the funeral march; and a woodwind passage in the trio of the scherzo was muffed the first time, but went admirably the second. The finale, which is the one weak movement in the symphony, suffered much of the time from a lack of ensemble, and had doubtless...
...dotty commentary by an admirer, Charles Kinbote. But is that really all there is to it? No, argues Field, who suggests that not only the poem but the commentary are Shade's work: he has absorbed Kinbote's theories and has fashioned the commentary as an extravagant coda to his own poem. This kind of argument about a possible fiction within a fiction -essentially, the was-Hamlet-reallymad type of argument-may seem academic to all but Nabokov's most devoted readers. But it testifies to the extraordinary reality that Nabokov imparts to his artificial world...
...bores; malice and eloquence save them from that un-Irish condition. All of them turn on Trellis, afflict him with more boils (64) than Job's, and provoke him to a robust curse: "You hog of hell, you leper's death-puke!" A bleak, black coda to the book-within-a-book says enigmatically: "Evil is even, truth is an odd number and death is a full stop." Was Trellis mad? It is hard to say. Was he a victim of hallucinations? Professor Unternehmer, the German neurologist, allows Trellis "an inverted sow neurosis, wherein the farrow eats their...
...Turks waited. At dawn on May 29, the Sultan's janissaries stormed the shattered walls and took the city. The spectacular final siege and fall of Constantinople is here meticulously described by Britain's well-known medieval historian, in a volume that can be read as the coda of his massive History of the Crusades. Unfortunately, the other three-fourths of the book consists of relentlessly inclusive and superficial summaries of everything that happened in the known world for half a century before and after...