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Word: clocking (lookup in dictionary) (lookup stats)
Dates: during 1950-1950
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Usage:

...Nine o'clock: For early shoppers, English 160, Modern Drams, (Ibsen to Tennessee Williams), is worth a look. The 44 plays covered make consistently interesting reading; Baker's lectures are informative if not very unusual. The course has never been known for abnormal difficulty (Emerson D). Another early morning enterprise--of incourse--is term only to auditors since it is a full course--is Mcrk's History of the Westward Movement, (History 162). The lectures are excellent (Harvard...

Author: NO WRITER ATTRIBUTED | Title: THE CLASSGOER | 2/9/1950 | See Source »

...clock: Gov. 155, Government Regulation of Industry, meets in Emerson D. Cherington is an excellent showman, and the course is popular, but he does not go very deep. Ec. 161 covers more or less the same ground much more completely, although with considerably less sparkle. Also at 10, Music 1 convenes in Paine Hall. A full course, Music cannot be entered now, but lectures and especially the listening hours are ideal for auditors. This term's work begins with Beethoven and runs through to the moderns. The listening hours, in Paine Hall Auditorium, are as follows: Monday at 9, Tuesday...

Author: NO WRITER ATTRIBUTED | Title: THE CLASSGOER | 2/9/1950 | See Source »

...Eleven o'clock: History of Religions 101b is an interesting course. Arthur Darby Nock is a rather unique lecturer--no one should graduate without hearing him at least once--and his numerous guest lecturers are likewise above par (Harvard...

Author: NO WRITER ATTRIBUTED | Title: THE CLASSGOER | 2/9/1950 | See Source »

Twelve O'Clock High? A fresh, convincing drama about a human crisis in a U.S. wartime bomber group; with Gregory Peck (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Feb. 6, 1950 | 2/6/1950 | See Source »

...position another of the aggressively picturesque families that enjoy great popularity on Broadway. The Bonnards, headed by jaunty, Gallic grandpere (Edgar Stehli), are French-Canadians living in Ottawa in the early 19205. There are grandpère's three sons-a "crazy violinist" (Claude Dauphin), a round-the-clock tosspot (Kurt Kasznar), and a round-the-town ladies' man (Richard Hart); his often disapproving Scottish-Presbyterian daughter-in-law (Leora Dana); and his grandson (Johnny Stewart) who stands on the curb of adolescence waiting for his voice to change. When a pretty girl (Eva Gabor) comes to help...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Feb. 6, 1950 | 2/6/1950 | See Source »

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