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Bork is no less clever and no less twisted when it comes to civil rights. He explains away his opposition to the Public Accommodations Bill, a forerunner of the Civil Rights Acts, as an "intellectual mistake" commited when he was under the sway of hard-core libertarianism. While Bork has corrected this flaw in his thinking, he has relaced it with a dogmatic faith in "the jurisprudence of Original Intent." This theory would bind America to the specific 18th Century values (allegedly) held by specific 18th Century gentleman. Lost in Bork's theoretical shuffle would be the broad guarantees...

Author: NO WRITER ATTRIBUTED | Title: A Radical Puzzle-Solver | 9/23/1987 | See Source »

...treason, not the passion, that has to carry the movie. Judged as a pure suspense movie, No Way Out doesn't rank up there with 39 Steps or Dr. No. It does toss in a clever conclusion--casting the rest of the plot in a more intriguing, although confusing, light--but no snappy ending can compensate for an hour's worth of mediocre machinations...

Author: By Jessica Dorman, | Title: No Exit | 8/21/1987 | See Source »

...came to power in Iran in 1979: to extend Shi'ite fundamentalism over all of Islam and recover the unity and power that the Muslim world has lost since the Middle Ages. "Khomeini is a one-track fanatic," contends a senior Israeli official. "But he is very cunning, very clever and knows what he wants...

Author: /time Magazine | Title: At War on All Fronts | 8/17/1987 | See Source »

...nearly 30, Bragg grew up listening to music rather than to politicos--and everything from country and western to soul to pop can still be traced in his own songs. He found the most solace, however, in songs by Smokey Robinson, clever songs that showed love wasn't the perfect world of flowers and fireworks every other songwriter promised it would be. Even now, Bragg holds that "Nine times out of 10, it's like being hit with a sledge hammer...and it's not always a nice kind of hangover...

Author: By Abigail M. Mcganney, | Title: Sizing Up a Genuine Bragg-Art | 8/14/1987 | See Source »

...slam-on-the-brakes ending further unsettles the audience. Orton is too clever to present a simplistic, Marxist denouement where the proles emerge victorious. Instead, when the campers achieve their victory, they, including fireball Kenny, are unwilling to face up to what they did. The Erpingham insurgents begin to praise their own dictator; "revolution" accomplished nothing. They are back to square one as is the audience. The audience must be wondering who or what to believe in, and Orton's nihilism offers little comfort...

Author: By Michael D. Shin, | Title: The Erpingham Camp | 8/14/1987 | See Source »

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