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Debussy: Rhapsody for Clarinet (Benny Goodman with the New York Philharmonic-Symphony, conducted by John Barbirolli; Columbia; 2 sides; $1). Clarinetist Goodman tootles iridescent Debussy with proper subtlety, but the recording is poor...

Author: /time Magazine | Title: Music: April Records | 4/14/1941 | See Source »

Mozart: Sinfonia Concertante in E Flat Major (Philadelphia Orchestra conducted by Leopold Stokowski, with Oboist Marcel Tabuteau, Clarinetist Bernard Portnoy, Bassoonist Sol Schoenbach, Hornist Mason Jones; Victor; 8 sides; $4.50). A sweet, 18th-Century woodwind "bash" (jam session), spotlighting the pure purlings and tootlings of Philadelphia's high-priced soloists...

Author: /time Magazine | Title: Music: April Records | 4/14/1941 | See Source »

Your favorite jazz clarinetist must be either Benny Goodman or Artie Shaw, and don't let anybody tell you different. After all, they're big-time band leaders. Benny is the King of Swing, as everyone knows, and Artie Shaw plays high notes and was married to Lana Turner. You have no other choice. Edmond Hall is a rather unassuming colored musician who has been playing around for some time now, with a lot of bands you hear uptown, like Claude Hopkins and Billy Hioks. These days Hall is working with Red Allen's band down at Cafe Society...

Author: By Charles Miller, | Title: SWING | 3/15/1941 | See Source »

Last autumn the impresarios of the New York Philharmonic-Symphony Young People's Concerts hit on a bright idea: let prodigies perform before their peers. To puerile applause, they presented 8-year-old and 11-year-old pianists, a 12-year-old fiddler, a 14-year-old clarinetist. Last week they trotted out a talent which was more special and more exciting...

Author: /time Magazine | Title: Music: Prodigious Coloratura | 2/24/1941 | See Source »

...customer grew a little tired of what both the record companies and the salesrooms were offering him, put out his own recordings. The customer was a rich young Manhattan game-chicken and hot fan named Colin Campbell. Campbell's combination, released under a Commodore Music Shop label, includes Clarinetist Pee Wee Russell, Guitarist Eddie Condon and, most notably, Fats Waller. Because of his Victor contract, Waller uses the nom de piano of Maurice, his nine-year-old son. His improvisations and ad lib choruses have much more sound invention than he ordinarily waxes for Victor. Of the four sides...

Author: /time Magazine | Title: Music: January Records | 1/13/1941 | See Source »

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