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...lone rider of "Romance in Durango"--"Hot chile peppers in the blistering sun/Dust in my face..." Sara Loundes Dylan plays Clara, while Ronnie Blakelee plays Mrs. Dylan, and Joan Baez is the Woman in White. Basically, this is the movie--it appears nothing was planned, nothing "directed," and the cinema verite we are left with is a pastiche of extraordinarily fine concert film and meaningless vignettes, none very illuminating, some extremely offensive...

Author: By Joseph Dalton, | Title: Mr. Tambourine Man Goes to Hollywood | 4/6/1978 | See Source »

...only standard of criticism we can apply is one that considers what Dylan tried to do, and how well he did it--no theories of cinema or pop culture hold. No confessional this--only more rumors. If he tried to show us only another in the unending series of masks he has worn since Huck Finn came down from the North Country with his Elvis Presley haircut. All this stuff about his tremendous egotism does not apply--as somebody else has already pointed out, what is art except egotism? Renaldo and Clara is just another step on the many roads...

Author: By Joseph Dalton, | Title: Mr. Tambourine Man Goes to Hollywood | 4/6/1978 | See Source »

When students can satisfy the requirements by taking The Scandinavian Cinema or Biology of Cancer, one inevitably wonders whether the program still reflects any clear sense of intellectual priorities. The current proposal, with its more carefully delineated categories, does much to redefine the fundamental aims of a liberal education and provide a structure to insure that these goals will be reflected in each student's course of study...

Author: By Derek C. Bok, | Title: Bok on the Core | 3/21/1978 | See Source »

...crest of the French New Wave. But as far as foreign films are concerned, the '70s belong to the Germans. With little encouragement, less money and no older hands to guide them, a few extraordinary young directors have given birth to a phoenix-the brilliant German cinema of Fritz Lang and Ernst Lubitsch that Hitler consigned to ashes 45 years ago. "We had nothing, and we started with nothing," says Rainer Werner Fassbinder, who at 31, with 33 films to his credit, is probably the most prolific film maker alive. "For a generation nobody made important films in Germany...

Author: /time Magazine | Title: Show Business: Seeking Planets That Do Not Exist | 3/20/1978 | See Source »

...German cinema is the liveliest in Europe...

Author: /time Magazine | Title: Show Business: Seeking Planets That Do Not Exist | 3/20/1978 | See Source »

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