Word: cinema
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...Most film criticism tends to be dull, especially the kind which tries to give a prose version of the film. This can only be a dilution, so, the first priority should be to find something strong enough to need explaining. This doesn't necessarily limit film criticism to 'art' cinema--good articles could be written on, say, Allen, Scorcese, or Polanski, besides Hitchcock. But - surely - we don't want books explicating Woody Allen, who's obvious enough anyway...
Novelist John Phillips Marquand died only two decades ago, but social realities and the American literary scene have changed so thoroughly that Millicent Bell's thoughtful biography has become a work of archaeology. Marquand was a master of the literary flashback, now a wholly owned subsidiary of cinema, and a satirist of the rich, who have been depleted by taxes and supplanted by rock promoters and multinational executives...
...live on it," she says. "You take all kinds of stands that you find ridiculous later. For a long time, I refused to own a house because I felt badly about owning something blacks couldn't. But every time I travel--on a segregated bus--or go to any cinema. I'm doing things blacks...
...chanteuse and actress who started as a shilling-a-week trouper in working men's clubs and in her heyday became the world's highest-paid star; in Capri, Italy. Born Grace Stansfield in the mill town of Rochdale, she sang at age eight in the local cinema. Though never a beauty and hardly a diva, she set music halls roaring in the '20s with her cheeky Lancastrian banter, stouthearted warbling and flea-scratching, "low-but-clean" brand of clowning. Her 1931 film debut in Sally in Our Alley gave her a theme song, Sally, and endeared...
...Kosinski's attempt to harness to the novel the devices of another medium--television. This is the foremost example of the easy-to-follow, one-character plot ridden with sex and violence. The novel as a popular art form may soon smother in the voluminous fluff of television and cinema. Kosinski senses this and innovatively adopts many of the devices, the timing and pace, of TV and cinema--hence the accessibility of his novels. What's remarkable is that he manages this without in any way compromising his literary integrity...