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...ONCLE is academic in the extreme, but, miraculously, it's never boring once the action gets started. The film-makers' mixed blessing of cleverness saves the movie from the clutches of dullness and banality. Cleverness is Mon Oncle's dominant characteristic, but in cinema--as in any other art form--excessive cleverness can be deadly annoying. Resnais' and Gruault's three main characters serve as mere puppets of Laborit. Early in the film, we race through the childhoods and adolescences of Jean, Janine, and Rene, learning quickly and concisely all the important biographical details. Sure it's interesting that they...

Author: By Jacob V. Lamar, | Title: The Intelligent Rodent | 1/15/1981 | See Source »

...yoke as much as we do. Huppert plays Isabelle, a relaxed if busy prostitute, capable enough to teach the trade to her sister-for money. She picks out Paul Godard (the mocking association is reinforced by his mogulstatus at a television station) and coaxes him away from a cinema line...

Author: By Shepard R. Barbash, | Title: An Unknowing Polemic | 12/6/1980 | See Source »

...gleaming, hips undulating, r's trilling, balancing a headdress of tropical fruit heavy enough to give the strongest Rio dock worker a hernia. That was '40s Hollywood, whose notion of Brazil was half picture postcard, half Daliesque daydream. Since then, a group of engaged intellectuals, collectively called cinema novo, have created a native awareness of the medium's power to teach and persuade. But before you can send a movie audience marching out to the barricades, you must get them into the theater. Don't cerebrate - celebrate. Bye Bye Brazil does just that, setting a naturalistic...

Author: /time Magazine | Title: Cinema: Iced Coffee | 11/24/1980 | See Source »

Sally's nephew Ken (Christopher Reeve), who now owns the Talley place, is perched on crutches, having lost both legs in Viet Nam. Through the marvel of commercial casting, cinema's Superman has become a homosexual cripple. Reeve gives his role the old college try-fervent amateurism. Ken's lover is Jed (Jeff Daniels), a horticulture nut. Ken's sister June (Joyce Reehling) has sedated her radicalism with bread baking, and her 13-year-old daughter (Amy Wright) is stoned on sexual voyeurism...

Author: /time Magazine | Title: Theater: Happy Hangover | 11/17/1980 | See Source »

...authority on film, Moravia also said, "This is a good time for American cinema," adding that at the moment he rates American cinema second only to Germany...

Author: By Don ANTHONY Summa, | Title: Noted Author Alberto Moravia Lectures in Science Center | 10/28/1980 | See Source »

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