Word: cinema
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With small change she supported avant-garde film making, Close-Up, the first important cinema magazine, and contributed to the psychoanalytic movement...
...AUTOBIOGRAPHY My Last Sigh, Luis Bunuel, the father of the surrealist cinema, remarks that the one unifying principle of his first film, "Un Chien D'andalou," was that "no idea or image that might lend itself to a rational explanation of any kind would be accepted." In telling his life story, Bunuel likewise rejects interpretation. His memoirs are a rambling collection of disparate reveries, images, jokes, each of them entirely absorbing. Bunuel does not draw upon these to form conclusions of any sort, to make aesthetic judgements or to evaluate the importance of various events in the development...
Fortunately, with the release of this summer's critical success Risky Business, featuring newly-discovered Tom Cruise, the so-called teenage film industry has shown signs of possible salvation. Though undeniably, Cruise's dancing around in his underwear lured many ogling 15-year-old girls to the cinema, producers seemed to recognize that there was more to appeal to in a teenage film than hormones. Risks Business exhibited promise beyond the usual hackneyed dialogue and childish antics, to which teenage audiences are so accustomed. Its well-developed fantasy motif, more importantly, indicated that producers finally may be getting away from...
King Kong (RKO). A cinema producer (Robert Armstrong), his leading lady (Fay Wray), his first mate (Bruce Cabot) and their entourage visit a remote Pacific island to make a nature picture. The natives seize Fay Wray, tie her up as a sacrifice to their god, King Kong. He is a gigantic whatnot resembling an ape, 50 feet tall, equipped with large teeth and a thunderous snarl. He picks up Fay Wray in one hand as though she were a frog and shuffles off through the jungle, breaking trees and grunting...
...book are in print. Love Story is still number one on the bestseller list-while a 95? edition is the top-selling paperback. Now comes the celluloid version, manipulating audiences with contrived bathos. No wonder Love Story has enjoyed the largest opening-week grosses in the history of American cinema. No wonder that on Christmas Day, when it opened across the country, the movie broke the house record in 159 of 165 locations. In three days it earned $2,463,916-more than it cost to make...