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...Glasnost cinema is good news for Soviet citizens, who go to the movies four times as often as Americans and ten times as often as the British. Today Soviets get to watch sexual barriers fall like dominoes in slow motion. Little Vera features a love scene -- 82 seconds of topless necking and a quick tickle under Vera's dress -- that has shot viewers' eyebrows up through their hairlines. By American cable-TV standards the episode might be tame, but in a culture as repressed erotically as it is politically, Little Vera is big news...

Author: /time Magazine | Title: Cinema: Censors' Day Off | 4/10/1989 | See Source »

...another sense, all Soviet cinema has become sexy, a novel commodity on the global culture market. Little Vera opens this month in the U.S., after playing the New Directors/New Films series at New York City's Museum of Modern Art in tandem with Boris Frumin's The Errors of Youth, shot in 1978 but just completed this year. Eleven Soviet filmmakers are touring the U.S. with Glasnost Film Festival, whose 22 documentaries include robust exposes on Chernobyl, the Armenian revolt and the war in Afghanistan...

Author: /time Magazine | Title: Cinema: Censors' Day Off | 4/10/1989 | See Source »

...superior to those of the first flush of revolution. Now that the specter of Stalinism has receded, another shadow haunts Soviet filmmakers, and it may be harder to escape. This is the legacy of Sergei Eisenstein, V.I. Pudovkin, Alexander Dovzhenko and Dziga Vertov, the giants of Soviet silent cinema. Their works (October, Mother, Earth, Man with a Movie Camera) remain at the core of every film curriculum; movies are still made in the visual language they helped invent...

Author: /time Magazine | Title: Cinema: Censors' Day Off | 4/10/1989 | See Source »

...spirit of the first post-Stalinist era of reform, wonders about the aftereffects of the long period of stagnation. "The 'thaw' generation is tired and burned out," he says. "But the next generation is simply not prepared to carry on the reforms." Filmmaker Elem Klimov, the head of the Cinema Workers' Union, admits that the transition has been difficult, like "struggling to break down a wall, only to confront yourself on the other side." Says he: "For so long we have said, 'Give us our freedom, and we will show you!' But having freedom is not so simple. Many have...

Author: /time Magazine | Title: The Arts: Freedom Waiting for Vision | 4/10/1989 | See Source »

...Cinema...

Author: /time Magazine | Title: Time Magazine Contents Page Vol. 133 No. 15 APRIL 10, 1989 | 4/10/1989 | See Source »

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