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...hands, Nahmad paid about $300,000 for the piece. Although he is sanguine about the market, the dealer, based in Monte Carlo, Monaco, was staggered by Monday's sale, which also netted records for Piet Mondrian (two of the Dutchman's paintings sold for eight-digit figures), Giorgio de Chirico, Marcel Duchamp, Paul Klee and James Ensor. "It was the most amazing auction I've ever seen," Nahmad said on the main floor just after the last lot sold. "There are still a lot of rich people in the world, and I think they are anticipating a future inflation. Governments...

Author: /time Magazine | Title: Saint Laurent Art Sets Records | 2/24/2009 | See Source »

...Europeans interpret the land - how people choose to manage their space and how, sometimes, they fail to do so - as it is about the land itself. Through it all Franklin, who holds a Ph.D. in geography, demonstrates an artist's flair. He sees Greek-Italian painter Giorgio de Chirico, he says, in the winter light of his Spanish farming photos, and American artist Georgia O'Keeffe in the shapes that form in breaking glacial ice. Most of all, Franklin credits the Romantics and their idea "that these sublime landscapes are both beautiful but terribly precipitous." As the scene from Megalopoli...

Author: /time Magazine | Title: Europe's Changing Places | 9/17/2008 | See Source »

Then there's Intersection II, a piece that predates the Ellipses, which consists of four curved and tilted stretches of steel, positioned beside one another to form long, curving corridors that suggest those improbably angled streets in the paintings of De Chirico. Surrealism isn't something Serra thinks about when he sets out to work, but its image bank is something he admits may have seeped into his art. "Does the space in my work have a disorienting effect," he asks, "so that you can see in it the planar shifts of De Chirico? Possibly. It's not something...

Author: /time Magazine | Title: Richard Serra's Big Show | 5/24/2007 | See Source »

...prancing New Yorkers who bought into it. By contrast, Hopper made it to Paris no fewer than three times from 1906 to 1910, and in his work you see the bluntness of Manet, the blue shadows (but not the flittering light effects) of the Impressionists and traces of De Chirico. He had no use for pure abstraction, but the intricate construction of his pictures shows how well he understood...

Author: /time Magazine | Title: Edward Hopper: Man of Mysteries | 5/10/2007 | See Source »

...Rarely have I greeted a courier with such alacrity. Unrolled, the painting was little short of a miracle. The Da Fen artist had caught not just the colors and De Chirico's subtle shading, but the entire mood of the work. My Enigma had arrived...

Author: /time Magazine | Title: Reproductive System | 3/29/2007 | See Source »

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