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...York City Ballet offered some of the most spectacular dancing-and it was strictly homegrown. During its spring season at the New York State Theater of Lincoln Center, it displayed a repertory of 41 dances, a chiaroscuro of choreographic talent unmatched by any company in the world. A good three-quarters of the works were created by George Balanchine, 64, who uncharacteristically looked into his past by re-creating his first big Broadway hit, Slaughter on Tenth Avenue, from the 1936 production On Your Toes...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

...only time Haitink acts the part of a confident conductor is when he steps on the podium. Then he is all that might be expected of somebody who is regarded as one of the top younger figures in the field-firm, precise, sensitive, adept at molding the rich chiaroscuro of the Concertgebouw sound without blurring the melodies or jostling the rhythms. Under his baton, the orchestra is not yet burnished to the glow it had under Mengelberg, and in some of the repertory he has not yet overcome a faint tendency toward coolness and restraint. But when he conducts...

Author: /time Magazine | Title: Conductors: The Diffident Dutchman | 5/12/1967 | See Source »

...which foolishness flourished, but which achieved things of great value. John's painting is not much regarded today, but he was an immense character. Seen from close up by Nicolette's appraising eye, he is not as admirable as he appears in his own autobiographical fragment, Chiaroscuro, or as bogus as in Aldous Huxley's satirical portrait of him as "John Bidlake" in Point Counter Point. Nicolette writes well, with a painter's eye for places and faces and a feminine instinct for character. These qualities plus Irish wit lend a novelistic point to her portraits...

Author: /time Magazine | Title: Books: Bohemian Girl | 4/7/1967 | See Source »

...pale colors and excited forms of the Mannerists are well represented in this show by the paintings of Bloemaert, Cornelis Van Haarlem, and Honthorst and Terbrugghen--with rich colors and deep chiaroscuro effects (contrasts of light and dark) are also fairly well sampled, as are the Italianate canvasses, including paintings by Poelenburgh and Nicolaes Berchem. The influence of these three styles is very marked in seventeenth century Dutch paintings, particularly in the Rembrandts, but the range of Rembrandt paintings in this exhibition is not adequate to demonstrate this clearly...

Author: By Jonathan D. Fineberg, | Title: The Age of Rembrandt | 2/14/1967 | See Source »

...audience of buyers and editors was short on applause. Most of them had just flown in from Italy, where they were more charmed. In Rome, designers went black and white with an op twist-in everything from Valentino's sequined, zebra-topped lounging pajamas to Fabiani's chiaroscuro plaid evening coat. In Florence, Emilio Pucci produced print tights under an Empire dress slit to the armpits on each side. And Italians seemed intent on depluming the bird world too, particularly ostriches, who had better hide more than their heads in the future...

Author: /time Magazine | Title: Modern Living: The Feather Merchants | 8/6/1965 | See Source »

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