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When in 1909 plump little Marcella Sembrich sang her farewell to opera, Manhattan's Metropolitan built her a throne on the stage, fairly swamped her with flowers, gifts, eulogies. Operagoers that bleak February night cheered themselves croupy while tears ran down many a wrinkled old cheek. But why was this great singer retiring at the peak of her career? "Because I like the sun best when it is high." Last week in Manhattan Death came to Marcella Sembrich who, save for Schumann Heink and Calvé, was the last survivor of an age which produced Patti, Lilli Lehmann, Melba...

Author: /time Magazine | Title: Music: Death of a Diva | 1/21/1935 | See Source »

...joust with windmills, returns home to find his books ablaze and to die. Photographed by Nicolas Farkas, who directed The Battle (TIME, Dec. 3), Don Quixote is at its best when it is purely pictorial-the brilliant whites and gloomy greys of Spain; the noble nose, the gaunt cheek, the scraggly whiskers of the Don whose addled pate wears a barber's lather-bowl which he thinks is a helmet; the whirling windmills seen from a dozen different angles after the poor Don is impaled on one of them by his own spear. Notable is the picture...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 31, 1934 | 12/31/1934 | See Source »

...stepped into Lincoln Life the biggest stockholder was Harmey B (for nothing) Hill, who stayed on as board chairman. Supposedly ignorant of the plot, he was nevertheless ousted by the authorities along with the Baiata regime. Last week newshawks found him still at his office, a quid in his cheek, a book on his desk called Why Worry? What did he have to say? "I'll have plenty to say?when the time comes...

Author: /time Magazine | Title: Business: Ledger B | 12/10/1934 | See Source »

...colour. Squares, triangles and circles carefully arranged make balanced colour compositions that gladden the eye but never attack the intellect or the emotions. Klee's refuge is in dreams. Like the surrealists, he portrays vague images conjured up from the subconscious and paints them with a tongue-in-the-cheek seriousness that has been completely misunderstood by his lugubrious colleagues in Paris. Nolde, like the sculptor Lehmbruck, is German in his intensity and paints with an inner fire that is typical of the expressionistic movement in Germany...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 11/16/1934 | See Source »

...course, if you have been following the health and beauty campaigns of gum manufacturers on chewing for chin lines and cheek curves, you know that gumchewing is no longer merely a ruminative agitation of the jaws. It now has purpose, character, and style direction...

Author: /time Magazine | Title: Letters, Nov. 12, 1934 | 11/12/1934 | See Source »

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