Word: chases
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Harvard's dean of admissions. Dr. Chase N, Peterson '52, has defended the College's admissions requirement of college board exams in the wake of Bowdoin College's vote two weeks ago to make them optional...
Like all decent/indecent Restoration comedies, the play cuts to the chase, the chaste and the unchaste. The masquerading Master Aimwell (Ronald Pickup) pursues Dorinda (Sheila Reid) with lofty ardor. They are a fluttery pair, brimming with sentiment and much given to pledges of undying affection and confessional honesty. The masquerading servant, Archer (Robert Stephens), has the cool, calculating charm of an accomplished womanizer. The woman he now wants, Mrs. Sullen (Maggie Smith), has had but one melancholy tutor: her husband. He is an alcoholic brute who keeps her in the country when her only heaven is London. As the chase...
...totally unknown to the world. He died at 64 in France last year, after enjoying a muffled underground explosion of fame. Cosmos won the $20,000 International Prize for Literature. It is an achingly attenuated suspense story -except that it turns out that there is no object to the chase, no rich cache of contraband drugs, no key diplomatic documents and no blondes. Just a hanged sparrow, a hanged cat, a mysterious bit of wood suspended in a shed and, finally, a hanged man whose death is as meaningless...
...loss to Cornell in early January and a prior defeat at the hands of Brown had already virtually eliminated the Crimson from the Ivy title chase. And tonight, when the Crimson takes on a Terrier squad that destroyed Boston College last week, 8-3, it will hardly be overconfident. So the incentive is there...
...girl complains about her absent boy friend, "but- the Ashes."* The urn is recovered, but not before Auntie's servant (and lover), an enterprising Sierra Leone black named Wordsworth, has emptied Mother out and replaced her with some hot pot. The police get into the act and the chase runs from London to Paris to Istanbul, and finally to Paraguay. Greene is not only putting the reader on. He is putting himself on. We are back in The Orient Express (Greene's fourth novel), but an Orient Express without the Conrad Veidt monocles or the concupiscent dancers...